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Tag Archive for: film

Film-Philosophy Conference 2025 – Call for Papers

January 28, 2025/in News, Call for Papers

Call For Papers FILM-PHILOSOPHY CONFERENCE 2025 University of Malta, Valletta Campus June 23-25, 2025 https://journals.ed.ac.uk/f-p-submissions/film-philosophyconference2025 Sponsored by York University in Toronto and the University of Malta, the 2025 Film-Philosophy Conference will be held June 23-25 at the Valletta Campus of the University of Malta.  For more about Film-Philosophy and Malta, see below. KEYNOTE SPEAKERS: Sandra Laugier (Philosophy, Sorbonne) […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2025-01-28 10:38:292025-01-27 10:43:41Film-Philosophy Conference 2025 – Call for Papers

Screening the financial crisis: A case study for ontology-based film analytical video annotations

December 11, 2023/in Autumn 2023_#Cycles, Data Papers

This paper presents a dataset of fine-grained film analytical annotations (Melgar & Estrada & Koolen 2018) for a corpus study of feature films, documentaries, and television news on the Global Financial Crisis (2007-), generated by the research group Affektrhetoriken des Audiovisuellen (Freie Universität Berlin and Hasso-Plattner-Institute Potsdam, 2016-2021, see Bakels et. al. 2020a). The semantic video annotations are based on the AdA Filmontology (v1.8), which consists of eight annotation levels, 78 annotation types, and 501 annotation values (Bakels et. al. 2020b). Each level, type, and value has a unique resource identifier (URI) as well as an English and German name and description. In our paper, we reflect on the specific challenges of capturing film-analytical claims of embodied viewing experiences in an ontology-based taxonomy. We further critically discuss aspects such as intercoder-reliability, consistency, as well as the requirements of training and synchronising expert annotators. The dataset contains more than 92,000 manual and semi-automatic annotations authored in the open-source-software Advene (Aubert/Prié 2005) by expert annotators, as well as more than 400,000 automatically-generated annotations for wider corpus exploration. The annotations are published as Linked Open Data under the CC BY-SA 3.0 licence and available as rdf triples in ttl files and in Advene’s non-proprietary azp-file format, which allows instant access through the graphical interface of the software. Via a web application all annotations can be downloaded, queried, and visualised in conjunction with password-protected access to the source video files (Agt-Rickauer 2022). This dataset is of interest for research on the financial crisis discourse or the specific films and broadcasts; also, the dataset serves as a proof of concept for ontology-based video annotation and as a provider of training data on film analytical concepts such as shot length, camera movements, or affective tonalities.

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2023-12-11 11:34:462023-12-11 11:34:46Screening the financial crisis: A case study for ontology-based film analytical video annotations

Irresistible instrumentalism: Materially thinking through music-making in the story worlds of silent films

June 8, 2022/in Audiovisual Essays, Spring 2022_#Rumors

by Catherine Grant …the image of musical sound itself becomes contagious…[1]  Irresistible Instrumentalism, the video essay embedded above, explores the somewhat paradoxical depiction in early cinema of the visible playing by onscreen musicians of music that makes no sound in the world beyond the film’s diegesis – the portrayal of music, in other words, that […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-08 09:02:462022-06-19 12:20:25Irresistible instrumentalism: Materially thinking through music-making in the story worlds of silent films

The Gravity of the acousmêtre: Listening via the radio and through paratext in film     

June 8, 2022/in Audiovisual Essays, Spring 2022_#Rumors

by Liz Greene In 2013, two films were released that speak to each other via a radio conversation, Alfonso Cuarón’s feature length space adventure Gravity, and Jonás Cuarón’s short film Aningaaq. Both father and son, Alfonso and Jonás Cuarón, wrote the screenplay for Gravity, and while in the process of the film’s production Jonás made […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-08 08:55:182025-06-25 10:21:11The Gravity of the acousmêtre: Listening via the radio and through paratext in film     

Synced

June 8, 2022/in Audiovisual Essays, Spring 2022_#Rumors

by Johannes Binotto The coupling of optics and acoustics in cinema is never a natural given, but always a construction dependent on technological intervention. As we all know, moving image and sound recording, although both already invented, failed for a long time to come together because they lacked synchronicity. Attempts to run a gramophone record […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-08 08:25:132022-06-19 12:23:12Synced

The place of the pop song in academic audiovisual film and television criticism

June 8, 2022/in Audiovisual Essays, Spring 2022_#Rumors

by Ian Garwood ‘The Place of the Pop Song in Academic Audiovisual Film and Television Criticism’ contributes to a discussion about the use of the pop song in the scholarly audiovisual essay, an area of videographic practice that has inspired scant self-reflection to date. The video operates in an explanatory mode, so I will allow […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-08 08:22:242024-07-02 10:49:47The place of the pop song in academic audiovisual film and television criticism

Sound and the audiovisual essay, part 2: The theory, history, and practice of film sound and music in videographic criticism

June 8, 2022/in Audiovisual Essays, Spring 2022_#Rumors

by Liz Greene This is the second part of a curated two-part audiovisual section on sound and music for NECSUS. The first section contained four audiovisual essays that centred on dialogue, music, and effects and was published in Autumn 2020. This second part (in the main) addresses theory, history, and practice in film sound and […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-08 08:13:112022-06-19 12:13:10Sound and the audiovisual essay, part 2: The theory, history, and practice of film sound and music in videographic criticism

Narrating the ‘Eternal City’ in ‘La Dolce Vita’ (1960) and ‘La Grande Bellezza’ (2013)

May 16, 2021/in Features, Spring 2021_#Solidarity

by Temenuga Trifonova Numerous studies have demonstrated the importance of the city and the moving image to the modern urban imaginary: one need only recall Anne Friedberg’s illuminating account, in Window Shopping: Cinema and the Postmodern (1994), of the ways in which 19th century visual experiences like photography, urban strolling, panoramas, and dioramas anticipated cinema, […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2021-05-16 14:45:422021-06-09 09:19:13Narrating the ‘Eternal City’ in ‘La Dolce Vita’ (1960) and ‘La Grande Bellezza’ (2013)

‘Color Mania’ and ‘Chromatic Modernity’: The polychrome experience of the moving image 

December 11, 2020/in Autumn 2020_#Method, Book Reviews, Reviews

Only in recent years has a new awareness about the role of colour in film aesthetics arisen. Several historical accounts of colour in film have appeared, but in 2019 two volumes come as significant contributions to film and media studies: Color Mania and Chromatic Modernity. Color Mania: The Material of Color in Photography and Film (Zurich: […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-12-11 17:21:092020-12-14 05:25:25‘Color Mania’ and ‘Chromatic Modernity’: The polychrome experience of the moving image 

Conference – ‘Creative Engagement with Crisis’

November 8, 2020/in News

From 25-28 March 2021, parallel to the RAI Film Festival 2021, an academic conference featuring research in visual anthropology, ethnographic film and adjacent disciplines will be taking place virtually. Within the broad theme ‘Creative Engagement with Crisis’, the conference invites reflections on the notion of crises and the creative engagements with crises: How might research […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-11-08 08:21:292020-11-08 08:21:29Conference – ‘Creative Engagement with Crisis’

Lecture Series – ‘Cinepoetics’

August 18, 2020/in News

The ‘Cinepoetics Lectures’, a collaboration between the Center for Advanced Film Studies at the Freie Universität Berlin, Germany, and the Kino Arsenal (Institute for Film and Video Art), are open to the public and free of charge – and now also available online as audio recordings. Following the research center’s goal to explore the poetologies […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-08-18 06:00:182020-08-09 20:06:50Lecture Series – ‘Cinepoetics’

Film Festival – ‘#Mina2021’

August 10, 2020/in News

Mina, one of the longest running film festivals dedicated to mobile & smartphone filmmaking, is now inviting submissions for the 10th edition of the International Mobile Innovation Screening. From 13-15 November 2021, #Mina2021 will present a public screening of smartphone, mobile and pocket films at the University of Nottingham Ningbo China and via Urban Screen […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-08-10 06:00:372020-07-28 09:23:21Film Festival – ‘#Mina2021’

Conference – ‘International Conference and Festival on Global Cult Film Traditions’

August 7, 2020/in News

From 5-7 November 2020, the Birmingham City University and the Black Sands Educational Project will be hosting the 14th ‘International Conference and Festival on Global Cult Film Traditions’, featuring online academic presentations as well as industry panels and a streamed film festival. The theme of this year, ‘Representations as Weapons: Cult Film and the Politics […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-08-07 06:00:492020-07-28 08:59:20Conference – ‘International Conference and Festival on Global Cult Film Traditions’

The artificial intelligence of a machine: Moving images in the age of algorithms

July 6, 2020/in Spring 2020_#Intelligence

This article introduces the special section #Intelligence, which includes seven essays addressing the impact of artificial intelligence on cinema and media from a cultural perspective. More particularly, three levels of pertinence are focused on. For the first level, selected papers analyse several representations of non-human intelligence confronted with human intelligence, as provided by film, television series, and video games. On the second level, a set of mutual functioning dynamics between AI and the media are identified and scrutinised. On the third level, the contributing authors consider how AI algorithms lead cinema and media theory to deeply rethink its assumptions about creating and viewing moving images.

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-07-06 12:11:362020-07-06 12:28:18The artificial intelligence of a machine: Moving images in the age of algorithms

A Machine for Viewing – 3 – Manual for a Disassembly of Cinema

July 2, 2020/in Audiovisual Essays, Spring 2020_#Intelligence

by Oscar Raby

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-07-02 09:35:222020-07-06 12:08:01A Machine for Viewing – 3 – Manual for a Disassembly of Cinema
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Film-Philosophy Conference 2025 – Call for Papers

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Editorial Board

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

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