Palgrave Macmillan is delighted to announce the newly launched book series Experimental Film and Artists’ Moving Image. The series is edited by Kim Knowles (Aberystwyth University, Wales, UK) and Jonathan Walley (Denison University, Ohio, US). This is the first academic book series on experimental film and artists’ moving image and provides a home for cutting-edge […]
The 30th International Screen Studies Conference, taking place at the University of Glasgow on 26-28 June 2020, welcomes proposals for papers, panels and audiovisual essays. The conference is organised by Screen editors Tim Bergfelder and Dimitris Eleftheriotis. The organisers particularly encourage contributions to a programming strand which will focus on the impact that recent calls […]
Alternativa Research Forum, Virtual Anthropology, 13 December 2019 organised by Meghanne Barker and Greg de Cuir Jr Call for submissions: ‘Virtual’ promises to bring us closer to an experience, but acknowledges that it cannot take us all the way there. Researchers and artists have long experimented with the moving image and its potential to bring […]
by Barbara Le Maître, translated from the French by Claire Labarbe[1] In the last twenty years, the question of the relationship between cinema and the museum has been raised in multiple theoretical and practical contexts, giving rise to a number of discussions about the exhibition of moving images, the use of the medium of film […]
by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta ‘There’s something to knowing the exact shape of the world and one’s place in it – don’t you agree?’ – Pirates of the Caribbean: Dead Man’s Chest (Gore Verbinski, 2006) Among the different critical turns that have been reshaping recent media scholarship, the emphasis on space and spatiality […]
‘Space … is a product of relations-between, relations which are necessarily embedded material practices which have to be carried out.’ – Doreen Massey[1] Founded in 1998 by a group of Québécois documentary filmmakers, the Rencontres internationales du documentaire de Montréal (RIDM) has become one of Canada’s most established documentary film festivals. Since its inception, the […]
Mexico has experienced several cycles of growth or decline in film production and consumption, and like many other countries its own cinematography has been left out of the North American corpus that dominates the exhibition circuits. The mastery of American cinematography, which largely responds to canons originating with the Hollywood industry, imposes guidelines for aesthetic […]
Introduction Festivals are nowadays a cultural, social, and economic force to be reckoned with. This study will offer an overview of the Dutch festival landscape, which has been lacking. There are commercial initiatives that target only a portion of the festival sector, and there are specific branch organisations or cultural funds that only cover the […]
The 29th International Screen Studies Conference, taking place at the University of Glasgow on 28-30 June 2019, welcomes proposals for papers, panels, and audiovisual essays. The conference is organised by Screen editors Alison Butler and Alastair Phillips. Confirmed keynote speakers are David Campany (University of Westminster), Laura Marcus (University of Oxford), and Haidee Wasson (Concordia […]
The Board of Trustees of The Flaherty is pleased to announce that Jon-Sesrie Goff will become Executive Director effective 10 September 2018. Goff, who previously served as Museum Specialist in Film at the Smithsonian National Museum of African American History & Culture, brings considerable talent, deep knowledge of art and film, administrative experience, and leadership ability […]
Alternative Film/Video, 12-16 December 2018, Belgrade On the occasion of the 60th anniversary of Academic Kino Club, founded in Belgrade (then Socialist Yugoslavia, now Republic of Serbia) in 1958, the Alternative Film/Video Research Forum 2018 will be dedicated to the international histories of kino clubs in Europe and beyond. There is a particular postwar history […]
The global imaginary of Central America, encompassing Guatemala, Costa Rica, El Salvador, Honduras, Nicaragua and Panama,[1] often relates to the subcontinent’s turbulent history and strategic geopolitical positioning. From succumbing to European imperial forces in the 15th century to the end of the Cold War and its aftermath, the southernmost isthmus of North America that connects […]
The enduring image from the 48th edition of the International Film Festival of India (IFFI), held from 20 to 28 November 2017, is of the actor Kannan Nayar angry, and waiting impatiently, outside the Inox multiplex complex in Panjim, Goa. He could be seen agitatedly talking to a group of people, to the media, and […]
The discussions on the relationship between photography and film have for a long time been centred on stillness and duration. The two oldest of the so-called new media seemed settled in binary oppositions, as it was either the photograph’s death portrait or the motion picture’s vital progression. Ice or fire, as Peter Wollen aptly proclaimed.[1] […]
Film-Philosophy 2018 will be held at University of Gothenburg (Sweden), from 3 to 5 July. The conference is associated with the journal Film-Philosophy. Confirmed keynote speakers for the conference are Emma Wilson (University of Cambridge), Kriss Ravetto-Biagioli (University of California at Davis), Eugenie Brinkema (MIT), Catherine Wheatley (King’s College London), and filmmakers Maja Borg (Sweden) […]
We would like to thank the following partners for their support:
Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.
Download
We maintain an online repository with PDF downloads to aid referencing. Please consider the environmental costs of printing versus reading online.
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London