‘There is a point at which methods devour themselves.’ – Frantz Fanon (Black Skin, White Masks) One can observe, in recent years, an obsession with methods – both in humanities research and teaching. Discussions include apprehensions about the imminent obsolescence of established media studies methodologies, a more liberal (in all senses?) search for synergies with […]
One must imagine Béla Tarr busy. Even though he has repeatedly insisted on the fact that he considers himself retired – at least as a director of feature films[1] – he has not stopped working since the release of The Turin Horse (2011). Currently, he is preparing a book project;[2] between 2013 and 2017 he […]
In the turmoil of political relations between the US and Turkey, cultural activities build bridges that facilitate diplomacy and mutual understanding. In this report, I explore how the 23rd Boston Turkish Festival (BTF) serves as a deployment of film diplomacy and presents a strategic image of Turkey in the US via films. The themes covered […]
Upon entering the exhibition Blackout in Rotterdam’s Kunsthal it took a few moments to adjust one’s eyes to the darkness. Rather than a typical white cube of a museum or gallery space, the exhibition instead filled a cavernous space marked predominantly by black walls and low light. Within the darkness, in the space’s various enclaves, […]
by Evelyn Kreutzer In this audiovisual study, I look at music-performative gestures of ‘fetishisation’. Against the backdrop of the mid-century celebrity conductor figure, as well as larger historical discourses around mediated music consumption, I focus on two conductors in two films, which draw on the same musical composition: Disney’s Fantasia (1940) and Hugo Niebling’s Pastorale […]
by Miriam de Rosa Then at one point I did not need to translate the notes; they went directly to my hands. — Francesca Woodman Often I believe I’m working toward a result, But always, once I reach the result, I realize all pleasure was in the planning and executing the path to […]
Palgrave Macmillan is delighted to announce the newly launched book series Experimental Film and Artists’ Moving Image. The series is edited by Kim Knowles (Aberystwyth University, Wales, UK) and Jonathan Walley (Denison University, Ohio, US). This is the first academic book series on experimental film and artists’ moving image and provides a home for cutting-edge […]
The 30th International Screen Studies Conference, taking place at the University of Glasgow on 26-28 June 2020, welcomes proposals for papers, panels and audiovisual essays. The conference is organised by Screen editors Tim Bergfelder and Dimitris Eleftheriotis. The organisers particularly encourage contributions to a programming strand which will focus on the impact that recent calls […]
Alternativa Research Forum, Virtual Anthropology, 13 December 2019 organised by Meghanne Barker and Greg de Cuir Jr Call for submissions: ‘Virtual’ promises to bring us closer to an experience, but acknowledges that it cannot take us all the way there. Researchers and artists have long experimented with the moving image and its potential to bring […]
by Barbara Le Maître, translated from the French by Claire Labarbe[1] In the last twenty years, the question of the relationship between cinema and the museum has been raised in multiple theoretical and practical contexts, giving rise to a number of discussions about the exhibition of moving images, the use of the medium of film […]
by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta ‘There’s something to knowing the exact shape of the world and one’s place in it – don’t you agree?’ – Pirates of the Caribbean: Dead Man’s Chest (Gore Verbinski, 2006) Among the different critical turns that have been reshaping recent media scholarship, the emphasis on space and spatiality […]
‘Space … is a product of relations-between, relations which are necessarily embedded material practices which have to be carried out.’ – Doreen Massey[1] Founded in 1998 by a group of Québécois documentary filmmakers, the Rencontres internationales du documentaire de Montréal (RIDM) has become one of Canada’s most established documentary film festivals. Since its inception, the […]
Mexico has experienced several cycles of growth or decline in film production and consumption, and like many other countries its own cinematography has been left out of the North American corpus that dominates the exhibition circuits. The mastery of American cinematography, which largely responds to canons originating with the Hollywood industry, imposes guidelines for aesthetic […]
Introduction Festivals are nowadays a cultural, social, and economic force to be reckoned with. This study will offer an overview of the Dutch festival landscape, which has been lacking. There are commercial initiatives that target only a portion of the festival sector, and there are specific branch organisations or cultural funds that only cover the […]
The 29th International Screen Studies Conference, taking place at the University of Glasgow on 28-30 June 2019, welcomes proposals for papers, panels, and audiovisual essays. The conference is organised by Screen editors Alison Butler and Alastair Phillips. Confirmed keynote speakers are David Campany (University of Westminster), Laura Marcus (University of Oxford), and Haidee Wasson (Concordia […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London