Formalism, as a term in the criticism of visual art, might be defined thus: as the conviction that forms contain their own syntax which acts on the spectator more or less directly. Further, the formalist maintains that experience of form is aesthetic experience; its effect is something called aesthetic emotion. And its opposite is not […]
At its best, it is carefully-constructed chaos. At its worst, it is equally chaotic but less carefully constructed. Nothing Stable under Heaven (https://www.sfmoma.org/exhibition/nothing-stable-under-heaven/) is an exhibition that bombards you from all angles as it forces you to juggle different and sometimes jumbled social issues and themes. Running at the San Francisco Museum of Modern Art […]
Richard Mosse’s Incoming (2014-17) is a large-scale video installation mapping the flow of refugees displaced by the Syrian Civil War, shown last spring at the National Gallery of Victoria’s Triennial in Melbourne, Australia. The National Gallery is one of the largest museums in the country and its inaugural Triennial seeks to survey the international world […]
The exhibition Urban Now: City Life in Congo took place at WIELS (Brussels) from 8 May – 14 August 2016 and was co-organised by Congolese artist Sammy Baloji and Belgian anthropologist Filip de Boeck. Baloji currently divides his time between Lubumbashi and Brussels and has exhibited his work in manifold exhibitions, such as Hunting and […]
The exhibition Dioramas, curated by Claire Garnier, Laurent Le Bon, and Florence Ostende at Palais de Tokyo in Paris, proposes the first extensive cross-media survey of one of the most fascinating theatres of illusion and apparatuses of display – the diorama. The survey covers a period spanning from the beginning of the nineteenth century to […]
National libraries, museums, and archives are potential sites for knowledge production and shared memory work, but they tend also to be monuments of state power, of selection and exclusion. Film and moving images have always played a formative role in cultural commemoration, and the resistance of cinematic counter-memories has also famously illuminated the critical potential […]
‘I want the evocation of space, a place between desire and experience.’ This calls forth from a screen suspended in the Museum der Moderne, Salzburg on the occasion of the exhibition Carolee Schneemann: Kinetic Painting. Playing onscreen is the footage of Carolee Schneemann’s performance Meat Joy (1964), in which Schneemann’s declaration forms part of the […]
by Josef Früchtl (1) Rainer Maria Rilke’s Archaic Torso of Apollo is probably one of the most famous poems in the German language, with its last lines being two of the most quoted by lovers of literature everywhere. In this lyrical report the torso no longer has a head. As museum visitors we can no […]
For the past couple of years South Korean artist Yuri An has been producing a compelling body of work which closely relates poetry, moving (and to a lesser extent still) images, and a series of self-published books which feature her writing. In 2015 she was a recipient of the Seoul Museum of Art award for […]
Lebanese artist Akram Zaatari’s exhibition Unfolding at Moderna Museet in Stockholm (7 March – 16 August 2015) is what you may call a hybrid exhibition in the sense that it includes several different media and makes use of various exhibition formats.[1] The exhibition can be divided into two separate but interrelated parts. The first part […]
Under the title The New Art Event in the Digital Age, ZKM Center for Art and Media Karlsruhe’s GLOBALE program hosted and presented 300 days of exhibitions, cultural, and education events (April 2015 to January 2016) celebrating the 300th birthday of the city of Karlsruhe.[1] Given the dedication of ZKM to art and media technology […]
by Jacek Smolicki and Alberto Frigo Not big and not small data Before moving to a discussion on the concept of minor data we find it important to explain how the term relates, or rather how it differs from existing terms that have emerged in the context of ubiquitous data circulation and accumulation. Big data […]
by Francesco Spampinato Introduction Richard Serra emerged in the 1960s in association with minimalism and land art – two conceptual art movements that speculated on the potentialities of sculpture to affect the space (and therefore the context) in which the work of art is installed or for which it is specifically conceived. Similarly to other […]
Over the last two decades a resurgence of interest in the cinematic has marked certain areas of the contemporary art world in what has come to be known as its ‘cinematic turn’.[1] Art institutions continue to reflect a growing interest in the moving image in its many forms, whether through the presence of moving image […]
How does the West view the Arab world? Edward Said described the guiding aim of the Western gaze as ‘corrective study’.[1] Later, Ella Shohat and Robert Stam would come to use the term ‘eurocentrism’ to refer to this hegemonic mode of ‘unthinking’ representation.[2] More recently, in the wake of countless attempts to dramatise the ‘violent […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London