This issue of NECSUS has been compiled, if not written, during the COVID-19 pandemic which has produced a shock across various existential domains: personal, social, political, economic, public health — the list goes on. Some of us may already have settled into new habits and routines that make this situation livable; yet a sense of […]
Gesturality is the source of signifying practices overall. The body set in motion generates meaning, and all other modes and matters of expression ensue this pristine act of signification. Soviet-Russian film director and theoretician Sergei Eisenstein started from here – from ‘expressive movement’ – in tracing the pathway of meaning throughout all the different artistic […]
The Spring 2019 issue of NECSUS includes a special section on the theme #Emotions, guest edited by Jens Eder (Potsdam), Julian Hanich (Groningen), and Jane Stadler (Melbourne). The section brings together contributions by Steffen Hven, Grant Bollmer, Carl Plantinga, E. Deidre Pribram, Wyatt Moss-Wellington, David Evan Richard, and David W R Brown. Please refer to […]
For the Autumn 2018 issue of NECSUS we have again compiled dynamic visual material and scholarly texts, including contributions that expand current research themes and explore new forms. The special section in this issue covers the topic #Mapping, guest edited by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta. The authors who have been selected to […]
NECS (European Network for Cinema and Media Studies), one of the key organisations that co-established and continues to support NECSUS, is moving into its 12th year of existence. Founded in Berlin in February 2006, NECS has grown into a large network of media studies academics and researchers in and beyond Europe, many of whom met […]
From the early days of film studies, costumes have been analysed as an important element of the mise-en-scène and stardom, as they help shape identities and define subjectivities, crafting the stars. There is no question that costumes help create meaning, no less today than in the heyday of classical cinema. More recently, haute couture has […]
A decade ago, American political satirist Stephen Colbert coined the term ‘truthiness’ in his program ‘The Wørd’, to call attention to a striking pathology in American politics, broadcasting, and business: to purposefully create poisonous information environments not based on logic, examination, or facts, but rather depending on affects, intuitions, and perceptions. Colbert’s main case in […]
In Autumn 2016 the notion of Home gained a new relevance. Globalisation, migration, and media seem more than ever entangled with growing insecurities about the safety of (the) home. Many of us fly over the world for work or as tourists, and we return home after a few days or a few weeks. Others desperately […]
This year marks the tenth anniversary of NECS (European Network of Cinema and Media Studies), one of the key organisations that co-established and continues to support NECSUS. Founded in Berlin in February 2006, NECS has grown into a large network of media studies academics and researchers in and beyond Europe. The launch of the first […]
Vintage is everywhere. Ranging from vintage design to vintage cloths and vintage media, in our contemporary culture ‘the old rebranded as new’ and ‘the new rebranded as old’ are a striking phenomenon – but what kind of relationship to or longing for the past does ‘vintage’ indicate? Retro nostalgia and other memory practices that can […]
In this Spring 2015 issue we are excited to present our second guest-edited special section, dedicated to ‘Animals’. Guest editors Barbara Creed and Maarten Reesink have assembled a coherent collection of essays that explore animals from a variety of angles, including photography, film, television, and new media. Their introduction ‘Animals, anthropocentrism, media’ sketches out the […]
Perhaps no war has stirred the human imagination more deeply than the so-called ‘Great War’. From William Wellman’s Wings (1927) to Stanley Kubrick’s Paths of Glory (1957), Jean-Pierre Jeunet’s Un long dimanche de fiançailles (2004), and Steven Spielberg’s War Horse (2011), filmmakers have been reimagining the Great War in distinctly different yet captivating ways, profoundly […]
The editorial team at NECSUS is excited to embark on its 3rd year of publication. We continue to be dedicated to an open access model that makes the best work in the discipline of media studies freely available to all, and we are actively looking for additional institutional partners to join us and support this […]
The special section in this issue of NECSUS addresses the phenomenon of waste in the broad range of past and present media practices. We are happy to introduce here, for the first time in the journal, the work of two guest editors: Alexandra Schneider and Wanda Strauven (University of Amsterdam). In this special section, Schneider […]
In the second part of the much celebrated recent novel 2666 (Roberto Bolaño, 2004), a Chilean philosopher with an Italian surname teaching in a Northern Mexico university unexpectedly finds a book in his library: Testamento geométrico, a treatise on geometry written by a poet named Rafael Dieste. Amalfitano (the name of the philosopher) cannot recall […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London