An infinite exhibition fills the nave: Laurent Grasso’s ANIMA The world of analogies and meaning takes on its full scope, resonances prevail over impoverishing causality. Instead of being the sum of possessed objects, the world becomes the unity of all the spaces granted to the entities that populate it. – Grégory Quenet, curator of ANIMA […]
The exhibition Becoming Geological (25 November 2022 – 8 January 2023), curated by Martin Howse and Florian Weigl, maps several earthly trajectories by which the technologically destabilised Anthropocene is offered alternative futures, affirmatively. Situated in V2_ Lab for Unstable Media, a location which was founded as an artists’ initiative in 1981, and which has become […]
The thematic contents of the Berlin Biennale 12 and documenta 15, which both took place in Summer 2022, are certainly close, ‘focusing on themes of colonialism and decolonization … art as an opportunity to repair’[1] even though ‘documenta fifteen is practice and not theme based’,[2] its themes also follow decolonisation and demonstrating the continued presence […]
How does one win at photography? The Photographers’ Gallery in Soho, London is a very good place to ask this question, since it hosts one of the world’s most prestigious photography competitions: the Deutsche Börse Prize, whose past winners include Andreas Gursky, Rineke Dijsktra, Anna Gaskell, Juergen Teller, and Luc Delahaye. But it is precisely […]
In reviewing The Milk of Dreams, an enthusiastic Laura Raicovich summarises: The exhibition features mostly women and non-binary artists and engages deeply with notions of transformation and identity beyond the anthropocentric. Plants, animals, and machines are integral; the hybridity of these forms emphasizes inter-connectedness, solidarity networks, and alternate forms of knowledge production.[1] These few lines […]
In 2021, the Rencontres internationales du documentaire de Montréal (RIDM) opted for a hybrid format for its 24th edition (10-21 November 2021), but the real novelty was the appointment of a new director and a new programming team. I investigate the selection of this new team through the lens of the territory where the festival […]
With multidisciplinary collections dating from the end of the 19th century to the beginning of the 20th, the Musée d’Orsay has regularly been integrating cinema into its permanent exhibition. Films, as works of art, are increasingly shown in its exhibitions, and film programming is a regular feature of the museum’s activities. The last major exhibition […]
A theme that characterises the artistic and public discussion animating Portugal’s current cultural life centres around the questioning of colonial legacies and the possibilities of a decolonial present, as a variety of presentations, exhibitions, documentaries, and publications across the academic and cultural field demonstrate.[1] Different university projects such as ‘MEMOIRS – Children of Empire and […]
Queerkins: Ark is the second chapter of a four-chapter cinematic virtual reality experience Queerskins (2018-ongoing). The piece, made by Illya Szilak and Cyril Tsiboulski in collaboration with the choreographer Brandon Powers, premiered at the Venice VR Expanded exhibition of the Mostra Internazionale d’Arte Cinematografica La Biennale di Venezia that took place digitally – in virtual […]
In Autumn 2020, the artist and media researcher Paula Albuquerque presented a major exhibition of her work at Nieuw Dakota in Amsterdam, titled Enter the Ghost: Haunted Media Ecologies. Concerned with topics of surveillance, colonial trauma, and media hauntology, the artworks in the show provide a poetic engagement with the violence of contemporary technologies. The […]
I am watching a man eating a tortoise. Shirtless, sitting at a table against a plain wall, he is eating it with his hands, and staring right back at me. This is Zina Saro-Wiwa’s video artwork Table Manners: Bush Tales #1, part of her exploration of indigenous cosmologies, particularly in her native Nigeria. Her practice […]
by Claire Salles The exhibition Le Supermarché des images (The Supermarket of Images, Jeu de Paume, Paris, 11 February – 16 March 2020) explores the economy of images without reducing it to the funding systems of the production of images. Marta Gili, the former director of Jeu de Paume read Peter Szendy’s essay Le Supermarché […]
The political upheavals, topological disruptions, and perpetual fragmentations of present and future lives in the Middle East and North Africa have resurfaced in a novel aesthetic of crisis in the art worlds and digital infrastructures of the region. Glitch: Art & Technology (https://www.facebook.com/events/auc-tahrir-cultural-center/glitch/170253620939407/) is a timely exhibition curated by Los Angeles-based scholar and art curator […]
In The Ecological Thought, Timothy Morton remarks that ecology isn’t just about global warming, recycling and solar power – and also not just to do with everyday relationships between humans and non-humans. It has to do with love, loss, despair, and compassion. (…) It has to do with capitalism and with what might exist after […]
The xapiri are the images of the yarori ancestors who turned into animals in the beginning of time. This is their real name. You call them ‘spirits’, [sic] but they are other. They came into existence when the forest was still young. The shaman elders have always made them dance and we continue to do […]
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Belén Vidal
King’s College London
Andrea Virginás
Babeș-Bolyai University
We would like to thank the following institutions for their support:
NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.
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