Festivals, Books, Conferences, Exhibitions
At a time when women’s access to shaping the public discourse through the exercise of their agency remains a precious commodity, the volumes edited by Boel Ulfsdotter and Anna Backman Rogers – Female Authorship and the Documentary Image and Female Agency and Documentary Strategies – come as important and necessary contributions to the field of […]
As audiovisual practices become increasingly multiplied and complex − from the omnipresence of (multi-)screens to the overstimulation of digital technologies − art is more sociopolitically-oriented than ever and, conversely, society acquires an aestheticised bias. Cinema still plays an important role in the current media landscape, but it is increasingly pervaded by other art forms and […]
Hakan Ergül’s Popularizing Japanese TV: The Cultural, Economic, and Emotional Dimensions of Infotainment Discourse (London-New York: Routledge, 2019) and Annette Hill’s Media Experiences: Engaging with Drama and Reality Television (London-New York: Routledge, 2019) constitute two recent examples of strenuous ethnographic work with empirical focus on popular television. Both publications reveal the extremely rewarding character of […]
One must imagine Béla Tarr busy. Even though he has repeatedly insisted on the fact that he considers himself retired – at least as a director of feature films[1] – he has not stopped working since the release of The Turin Horse (2011). Currently, he is preparing a book project;[2] between 2013 and 2017 he […]
In ELEKTRA’s own words, the digital art festival has been ‘helping audiences explore the diversity of performance practices, particularly audiovisual and robotics, since 1999’ and takes place over six days and nights in selected venues across Montreal. While the festival has become an important place to experience digital art in Montreal, it also functions as […]
This year’s gay pride celebrations were particularly important as both community-based groups and official institutions organised various symposiums, exhibitions, and festivals to commemorate the fiftieth anniversary of the Stonewall riots – an event often credited as the birth of the gay political movement. In Europe, several municipalities and official institutions capitalised on this anniversary and […]
In the turmoil of political relations between the US and Turkey, cultural activities build bridges that facilitate diplomacy and mutual understanding. In this report, I explore how the 23rd Boston Turkish Festival (BTF) serves as a deployment of film diplomacy and presents a strategic image of Turkey in the US via films. The themes covered […]
Upon entering the exhibition Blackout in Rotterdam’s Kunsthal it took a few moments to adjust one’s eyes to the darkness. Rather than a typical white cube of a museum or gallery space, the exhibition instead filled a cavernous space marked predominantly by black walls and low light. Within the darkness, in the space’s various enclaves, […]
Cultural theorist Raymond Williams, in his now canonical text Ideas around Nature, makes the following remark: ‘A considerable part of what we call the natural landscape … is the product of human design and human labour, and in admiring it as natural it matters very much whether we suppress the fact of labour or acknowledge […]
Rana Sadik is one of the few non-native art collectors who creates and funds private initiatives like art-showcases and art-participatory scholarships towards education, conferences, workshops, and exhibitions in Kuwait. She provides participants with a comprehensive cultural and learning experience. Through art, she addresses territorial contraventions based on politics. The works in her intervention allude to […]
In the recent decades, academic research on early cinema has grown remarkably. At the intersection of early cinema studies and feminist history, significant new research has revealed the hitherto overlooked presence of women, and the rich diversity of positions they held, in the first decades of film production. Feminist film historiography has an ever-expanding scope. […]
Both Screening European Heritage: Creating and Consuming History on Film, edited by Paul Cooke & Rob Stone (London: Palgrave European Film and Media Studies, 2016), and Docudrama on European Television: A Selective Survey, edited by Tobias Ebbrecht-Hartmann and Derek Paget (London: Palgrave European Film and Media Studies, 2016) offer well-edited collections of specialised scholarly texts […]
‘Space … is a product of relations-between, relations which are necessarily embedded material practices which have to be carried out.’ – Doreen Massey[1] Founded in 1998 by a group of Québécois documentary filmmakers, the Rencontres internationales du documentaire de Montréal (RIDM) has become one of Canada’s most established documentary film festivals. Since its inception, the […]
Formalism, as a term in the criticism of visual art, might be defined thus: as the conviction that forms contain their own syntax which acts on the spectator more or less directly. Further, the formalist maintains that experience of form is aesthetic experience; its effect is something called aesthetic emotion. And its opposite is not […]
In 2015, the former Portuguese colonies of Angola, Mozambique, Sao Tomé and Principe commemorated the 40th anniversary of their independence. In reality, the end of the Portuguese empire in the 1970s was as abrupt as its history had been exceptional in relation to the rest of the 20th century colonies: the length of the Portuguese […]
We would like to thank the following institutions for their support:
Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.
Download
The online repository media/rep/ provides PDF downloads to aid referencing. Please consider the environmental costs of printing versus reading online.
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London