Festivals, Books, Conferences, Exhibitions
Cultural theorist Raymond Williams, in his now canonical text Ideas around Nature, makes the following remark: ‘A considerable part of what we call the natural landscape … is the product of human design and human labour, and in admiring it as natural it matters very much whether we suppress the fact of labour or acknowledge […]
Rana Sadik is one of the few non-native art collectors who creates and funds private initiatives like art-showcases and art-participatory scholarships towards education, conferences, workshops, and exhibitions in Kuwait. She provides participants with a comprehensive cultural and learning experience. Through art, she addresses territorial contraventions based on politics. The works in her intervention allude to […]
In the recent decades, academic research on early cinema has grown remarkably. At the intersection of early cinema studies and feminist history, significant new research has revealed the hitherto overlooked presence of women, and the rich diversity of positions they held, in the first decades of film production. Feminist film historiography has an ever-expanding scope. […]
Both Screening European Heritage: Creating and Consuming History on Film, edited by Paul Cooke & Rob Stone (London: Palgrave European Film and Media Studies, 2016), and Docudrama on European Television: A Selective Survey, edited by Tobias Ebbrecht-Hartmann and Derek Paget (London: Palgrave European Film and Media Studies, 2016) offer well-edited collections of specialised scholarly texts […]
‘Space … is a product of relations-between, relations which are necessarily embedded material practices which have to be carried out.’ – Doreen Massey[1] Founded in 1998 by a group of Québécois documentary filmmakers, the Rencontres internationales du documentaire de Montréal (RIDM) has become one of Canada’s most established documentary film festivals. Since its inception, the […]
Formalism, as a term in the criticism of visual art, might be defined thus: as the conviction that forms contain their own syntax which acts on the spectator more or less directly. Further, the formalist maintains that experience of form is aesthetic experience; its effect is something called aesthetic emotion. And its opposite is not […]
In 2015, the former Portuguese colonies of Angola, Mozambique, Sao Tomé and Principe commemorated the 40th anniversary of their independence. In reality, the end of the Portuguese empire in the 1970s was as abrupt as its history had been exceptional in relation to the rest of the 20th century colonies: the length of the Portuguese […]
Mexico has experienced several cycles of growth or decline in film production and consumption, and like many other countries its own cinematography has been left out of the North American corpus that dominates the exhibition circuits. The mastery of American cinematography, which largely responds to canons originating with the Hollywood industry, imposes guidelines for aesthetic […]
Introduction Festivals are nowadays a cultural, social, and economic force to be reckoned with. This study will offer an overview of the Dutch festival landscape, which has been lacking. There are commercial initiatives that target only a portion of the festival sector, and there are specific branch organisations or cultural funds that only cover the […]
There is an eerie familiarity visible in the photographs of office workers’ faces installed in the middle of Thinking Machines: Art and Design in the Computer Age, 1959-1989, an exhibition that was presented at the Museum of Modern Art in New York City this past winter. It is a mix of strange affects we might […]
At its best, it is carefully-constructed chaos. At its worst, it is equally chaotic but less carefully constructed. Nothing Stable under Heaven (https://www.sfmoma.org/exhibition/nothing-stable-under-heaven/) is an exhibition that bombards you from all angles as it forces you to juggle different and sometimes jumbled social issues and themes. Running at the San Francisco Museum of Modern Art […]
Richard Mosse’s Incoming (2014-17) is a large-scale video installation mapping the flow of refugees displaced by the Syrian Civil War, shown last spring at the National Gallery of Victoria’s Triennial in Melbourne, Australia. The National Gallery is one of the largest museums in the country and its inaugural Triennial seeks to survey the international world […]
The study of television is often viewed as a crucial window into a given society’s popular culture. Dominant codes of meaning contained within the programming, and the ways in which various cultural groups decode those meanings – even the very broadcast technology itself – can reveal much about a society’s values, politics, and cultural traditions. […]
The global imaginary of Central America, encompassing Guatemala, Costa Rica, El Salvador, Honduras, Nicaragua and Panama,[1] often relates to the subcontinent’s turbulent history and strategic geopolitical positioning. From succumbing to European imperial forces in the 15th century to the end of the Cold War and its aftermath, the southernmost isthmus of North America that connects […]
The enduring image from the 48th edition of the International Film Festival of India (IFFI), held from 20 to 28 November 2017, is of the actor Kannan Nayar angry, and waiting impatiently, outside the Inox multiplex complex in Panjim, Goa. He could be seen agitatedly talking to a group of people, to the media, and […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London