Festivals, Books, Conferences, Exhibitions
AKS International Minorities Festival is a film festival that seeks to showcase films and art projects, as well as to create a dialog around the representation of minorities, particularly immigrants, sexual minorities, trans people, and people of colour. Since 2014, the festival has been held annually both in Pakistan and Denmark, establishing itself as an […]
In 2021, the Rencontres internationales du documentaire de Montréal (RIDM) opted for a hybrid format for its 24th edition (10-21 November 2021), but the real novelty was the appointment of a new director and a new programming team. I investigate the selection of this new team through the lens of the territory where the festival […]
Audience research has become an increasingly significant aspect of film festivals. The development of hybrid and online film festivals has enabled opportunities to generate more knowledge about the festival audience. That resembles broader developments in today’s culture and society, which relies on online data to take audience knowledge to a higher level. Indeed, industry observers […]
Over the past two decades, there has been growing scholarly interest in walking, as evidenced by an increasing number of publications, workshops (or sometimes ‘walkshops’), and other events dedicated to the topic. In this review, I focus on two recent volumes that can be positioned within this growing interest, but particularly contributing to the field […]
The surge of scholarly interest in the essay film has brought to light Theodor Adorno’s analogy in The Essay as Form that is as fruitful as it is intuitive: ‘The way the essay appropriates concepts can best be compared to the behavior of someone in a foreign country who is forced to speak its language […]
With multidisciplinary collections dating from the end of the 19th century to the beginning of the 20th, the Musée d’Orsay has regularly been integrating cinema into its permanent exhibition. Films, as works of art, are increasingly shown in its exhibitions, and film programming is a regular feature of the museum’s activities. The last major exhibition […]
A theme that characterises the artistic and public discussion animating Portugal’s current cultural life centres around the questioning of colonial legacies and the possibilities of a decolonial present, as a variety of presentations, exhibitions, documentaries, and publications across the academic and cultural field demonstrate.[1] Different university projects such as ‘MEMOIRS – Children of Empire and […]
In 2020, a lot of film festivals were cancelled or postponed to 2021. Others were organised in person (following the security measures imposed in each country regarding the Covid-19 pandemic, reducing the number of people in a closed space). Most festivals opted for online or hybrid options. Some festivals chose to use online platforms, turning […]
The One World Human Rights Documentary Film Festival (One World), which takes place in March, opens the Czech festival season. Since its inception in 1999, initiated by a human rights campaigner Igor Blaževič, this has become a reputable event and one of the major European human rights film festivals. In terms of the total number […]
The year 2020 was marked by Covid-19 health emergencies disrupting lives and societies on a global scale. No country or sector of our everyday life has been left unscathed by these unprecedented levels of sudden change and urgent adaptation that we all have experienced in different ways. Creative sectors also needed to quickly adapt and […]
It has been a decade since the streets of Saint-Louis have been hosting the only international documentary film festival in Senegal. Travelling speakers and local griots[1] enthusiastically announce the arrival of the Festival International du Film Documentaire de Saint-Louis, also known as Stlouis’DOCS, gathering around 10,000 people for the past few years. The 11th edition […]
Amidst violent police killings of people of colour, a global health pandemic, and a grassroots surge in activism calling for social justice in the US and abroad, the Boston Latino International Film Festival (BLIFF) was more crucial than ever in 2020. Launching virtually from 23-27 September 2020, the community festival continued with its nearly twenty-year […]
‘HD is about reality’[1] (p. 11). Elisa Linseisen’s first monograph High Definition: Medienphilosophisches Image Processing (Meson Press, 2020), based on her doctoral thesis, opens with a powerful argument. The book is published open access. Through the analysis of documentaries, video art works, galaxy photographs, blockbusters, press images, and Netflix series Linseisen demonstrates that high definition […]
Queerkins: Ark is the second chapter of a four-chapter cinematic virtual reality experience Queerskins (2018-ongoing). The piece, made by Illya Szilak and Cyril Tsiboulski in collaboration with the choreographer Brandon Powers, premiered at the Venice VR Expanded exhibition of the Mostra Internazionale d’Arte Cinematografica La Biennale di Venezia that took place digitally – in virtual […]
In the early years of the digital turn and the post-medium age, Edward S. Small developed his direct-theory argument and his presentation of experimental film/video as a separate major genre in his 1995 book. He defined the function of experimental film/video as ’neither to entertain nor persuade but rather to examine the quite omnipresent yet […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Belén Vidal
King’s College London
Andrea Virginás
Sapientia University