NECSUS
  • About NECSUS
    • Advisory Board
    • Section Editors
    • Partners
  • Submit
    • Guidelines for Authors
    • Review Submissions
    • Data Papers
  • Issues
    • All Issues
      • Features
      • Interviews
      • Audiovisual Essays
    • Reviews
      • Festival Reviews
      • Exhibition Reviews
      • Book Reviews
    • Data Papers
  • News
  • Contact
  • Click to open the search input field Click to open the search input field Search
  • Menu Menu
  • Link to Facebook Link to Facebook Link to Facebook
  • Link to X Link to X Link to X
  • Link to Instagram Link to Instagram Link to Instagram
You are here: Home1 / Autumn 2018_#Mapping

The exact shape of the world? Media and mapping

January 28, 2019/in Autumn 2018_#Mapping

by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta ‘There’s something to knowing the exact shape of the world and one’s place in it – don’t you agree?’ – Pirates of the Caribbean: Dead Man’s Chest (Gore Verbinski, 2006) Among the different critical turns that have been reshaping recent media scholarship, the emphasis on space and spatiality […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-01-28 22:45:572019-01-28 22:45:57The exact shape of the world? Media and mapping

Editorial NECSUS

December 11, 2018/in Autumn 2018_#Mapping, Features

For the Autumn 2018 issue of NECSUS we have again compiled dynamic visual material and scholarly texts, including contributions that expand current research themes and explore new forms. The special section in this issue covers the topic #Mapping, guest edited by Giorgio Avezzù, Teresa Castro, and Giuseppe Fidotta. The authors who have been selected to […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-11 08:55:132018-12-11 08:55:45Editorial NECSUS

Plus ultra: Coloniality and the mapping of American natureculture in the empire of Philip II

December 10, 2018/in Autumn 2018_#Mapping

by Adam Wickberg Introduction By 1570 the Spanish empire under the reign of King Philip II had already ruled the part of Central America known as New Spain for half a century. The famous conquistadors like Hernán Cortés and Christopher Columbus were dead and gone, but stories of their great fortune were very much alive […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-10 22:14:372018-12-11 08:20:57Plus ultra: Coloniality and the mapping of American natureculture in the empire of Philip II

Earth networks: ‘The Human Surge’ and cognitive mapping

December 10, 2018/in Autumn 2018_#Mapping

by Tiago de Luca In this article[1] I want to explore the way in which the global can be imagined in the cinema by taking up the concept of cognitive mapping as proposed by Marxist cultural theorist Fredric Jameson. I argue that the totalising remit of the concept offers an especially productive avenue through which […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-10 22:02:302018-12-11 08:22:18Earth networks: ‘The Human Surge’ and cognitive mapping

Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production

December 9, 2018/in Autumn 2018_#Mapping

by Laura Sharp [T]he frame refers to what is around the frame – a spatially and temporally contiguous ‘unseen’ that may, in its turn, subsequently enter the frame and so become actualized as a seen/scene… The essential thing about film, then, is not the framed image, but that which comes between the frames: the cut.[1]  […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-09 21:37:242018-12-19 18:45:23Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production

Digital maps and fan discourse: Moving between heuristics and interpretation

December 9, 2018/in Autumn 2018_#Mapping

by Marta Boni It has already been established that maps, studied as a form of knowledge, share certain attributes with moving images. Both have the function to make visible elements of real, or imaginary, landscapes, but also to offer a multitude of possible paths, as well as multiple ways of existing in space and, sometimes, […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-09 14:10:432018-12-11 08:24:23Digital maps and fan discourse: Moving between heuristics and interpretation

The mapping of ‘500 Days of Summer’: A processual approach to cinematic cartography

December 9, 2018/in Autumn 2018_#Mapping

by Chris Lukinbeal Introduction Film, media, and visual culture’s spatial turn has kindled interest in the relationship between cartography and cinema. This growing body of literature has emphasised the similarities between the mediums as well as how cartography and cinema may be productively combined. Castro describes this as cinema’s ‘mapping impulse’, while Bruno calls cinema […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-09 13:59:572018-12-19 16:37:35The mapping of ‘500 Days of Summer’: A processual approach to cinematic cartography

Making the map speak: Indigenous animated cartographies as contrapuntal spatial representations

December 6, 2018/in Autumn 2018_#Mapping

by Lola Remy ‘That’s what we’re gonna use… their own medicine.’ – Michael Kanentakeron Mitchell, You Are on Indian Land (1969) Introduction: Maps as (colonial) power With the discovery of the so-called ‘New World’ and the exploration of its lands by European nations, mapping became the ideal tool for comprehending and mastering the unknown territories […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-06 21:49:292018-12-11 08:26:28Making the map speak: Indigenous animated cartographies as contrapuntal spatial representations

Media mapping and oil extraction: A Louisiana story

December 2, 2018/in Autumn 2018_#Mapping

by Janet Walker Introduction  Dead trees with leafless branches grey against the sky, flooded roads, houses raised up on stilts: such are the marks of coastal communities in peril in this time of environmental volatility and degradation. Chief Albert Naquin states in the 2015 documentary Can’t Stop the Water that ‘[t]he small Indian community of […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-02 13:26:262018-12-11 08:27:28Media mapping and oil extraction: A Louisiana story

The playfulness of Ingmar Bergman: Screenwriting from notebooks to screenplays

December 2, 2018/in Autumn 2018_#Mapping, Features

by Anna Sofia Rossholm The voice: You said you wanted to ‘play and fantasise’. Bergman: We can always try. The voice: That’s what you said: play and fantasise. Bergman: Sounds good. You don’t exist, yet you do. The voice: If this venture is going to make sense, you have to describe me. In detail actually. […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-02 12:48:292018-12-11 08:28:27The playfulness of Ingmar Bergman: Screenwriting from notebooks to screenplays

Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history

December 2, 2018/in Autumn 2018_#Mapping, Features, Interviews

by Malte Hagener and Annie van den Oever  Martin Scorsese and production design, early British cinema and Sergei Eisenstein, the Archers and contemporary European film culture – Ian Christie is as versatile as he is prolific. We caught up with Ian between a visit to the Giornate del Cinema Muto in Pordenone, teaching at Birkbeck, […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-02 12:14:402019-01-03 17:35:25Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history

Evidentiary aesthetics: Landscapes of violence at RIDM 2017

November 28, 2018/in Autumn 2018_#Mapping, Festival Reviews, Reviews

‘Space … is a product of relations-between, relations which are necessarily embedded material practices which have to be carried out.’ – Doreen Massey[1] Founded in 1998 by a group of Québécois documentary filmmakers, the Rencontres internationales du documentaire de Montréal (RIDM) has become one of Canada’s most established documentary film festivals. Since its inception, the […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-11-28 08:43:072018-12-19 13:55:41Evidentiary aesthetics: Landscapes of violence at RIDM 2017

Handmade films and artist-run labs: The chemical sites of film’s counterculture

November 23, 2018/in Autumn 2018_#Mapping, Features

by Rossella Catanese and Jussi Parikka Introduction: Counterpractices in artist-run film labs It is safe to say that much of the contemporary artistic practice with moving images is concerned with materiality and technique. This interest can be seen in the practices and methods involving building and dismantling machines and devices, working with the chemistry of […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-11-23 23:57:352018-12-11 08:32:13Handmade films and artist-run labs: The chemical sites of film’s counterculture

Border crossings: Serial figures and the evolution of media

November 23, 2018/in Autumn 2018_#Mapping, Features

by Shane Denson and Ruth Mayer translated by Abigail Fagan[1] Media’s influence on narrative form and subject matter is never fully transparent, but its impact manifests especially in cases of serial narration and particularly in the production of what we call ‘serial figures’. In these contexts, media do not just serve as narrative platforms, but […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-11-23 23:47:262018-12-11 08:33:05Border crossings: Serial figures and the evolution of media

Form and feeling: Kinaesthetic Knowing / Artificial Darkness

November 23, 2018/in Autumn 2018_#Mapping, Book Reviews, Reviews

Formalism, as a term in the criticism of visual art, might be defined thus: as the conviction that forms contain their own syntax which acts on the spectator more or less directly. Further, the formalist maintains that experience of form is aesthetic experience; its effect is something called aesthetic emotion. And its opposite is not […]

Read more
https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-11-23 23:40:282018-12-11 08:33:58Form and feeling: Kinaesthetic Knowing / Artificial Darkness
Page 1 of 212
Search Search

Share this page

  • Facebook Facebook Share on Facebook
  • X-twitter X-twitter Share on X
  • Mail Mail Share by Mail
Down-circled Down-circled Download Issues as PDF

Tag Cloud

Amsterdam animals archive art audiovisual essay av book review call for papers cinema conference culture digital documentary editorial Emotions exhibition exhibition review festival festival review film film festival film studies gesture interview mapping media media studies method NECS NECSUS new media open access politics research resolution review reviews screen studies tangibility television traces video virtual reality war workshop

Recent News

January 28, 2025

Film-Philosophy Conference 2025 – Call for Papers

January 15, 2025

CfP: Autumn 2025_#Ageing – Call for Papers

December 9, 2024

Animal Nature Future Film Festival and its transnational organisational structure

December 9, 2024

Films flying high: International Film Festival of the Heights in Jujuy, Argentina

December 9, 2024

Archaeology of projection and economy of the real

December 9, 2024

Feminist Fandoms

August 25, 2024

NECSUS: Call for Book Reviewers – August 2024

August 19, 2024

NECSUS – Call for Proposals: Features Spring 2025_#Features

Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

Access

Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

Download
The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

© 2025 - NECSUS
Website by Nikolai NL Design Studio
  • Guidelines for Authors
  • Copyright
  • Disclaimer
  • Contact Us
Scroll to top Scroll to top Scroll to top