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Tag Archive for: Emotions

Call for audiovisual proposals: #Coronaseries

April 16, 2024/in Call for Papers, News

edited by Ariane Hudelet (Université Paris Cité) We are now inviting proposals for audiovisual essays for our Autumn 2024_#Enough issue – exploring how TV series brought a specific type of attachment, comfort and knowledge to their audiences during the Covid pandemic. These serial narratives were considered as a way of “coping” with the crisis (Boursier […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2024-04-16 05:47:232024-04-28 12:09:20Call for audiovisual proposals: #Coronaseries

Episodes of depression: Existential feelings and embodiment in ‘Sharp Objects’

May 27, 2019/in Spring 2019_#Emotions

by David Evan Richard Introduction This article suggests that the HBO recent limited television series Sharp Objects (created by Marti Noxon, 2018) invites spectators to temporarily inhabit the world of the depressed. Based on the novel by Gillian Flynn, Sharp Objects is directed by Jean-Marc Vallée, whose previous Big Little Lies (HBO, 2017-) similarly examined […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 11:44:472019-05-27 11:44:47Episodes of depression: Existential feelings and embodiment in ‘Sharp Objects’

Dreading the future: Narrative dread in ‘Better Call Saul’ and contemporary television

May 27, 2019/in Spring 2019_#Emotions

by David W R Brown Over the past 30 years, film theorists have increasingly taken seriously the role that emotions play in our engagement with narrative art. Much of this discussion has focused on, to borrow Noël Carroll’s term, ‘garden-variety’ emotions, that is, the sorts of emotional responses that are familiar to viewers from ordinary […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 11:35:032019-05-27 11:35:03Dreading the future: Narrative dread in ‘Better Call Saul’ and contemporary television

Brecht, emotion, and the reflective spectator: The case of ‘BlacKkKlansman’

May 27, 2019/in Spring 2019_#Emotions

by Carl Plantinga One enduring concern of film theory has been the question of what film structures and styles encourage critical, reflective, and active spectatorship. Neo-Brechtian theory has been influential in this regard, as many of Brecht’s theories regarding the epic theatre were incorporated into film theory in the 1970s, just as the field was […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 11:18:582019-05-27 11:18:58Brecht, emotion, and the reflective spectator: The case of ‘BlacKkKlansman’

The affective niches of media

May 27, 2019/in Spring 2019_#Emotions

by Steffen Hven Introduction Media-technologies exemplify how humans create a variety of environments designed to alter, enhance, sustain, or expand our emotional capacities in specific ways.[1] In reference to theories of ‘niche construction’ and ‘scaffolding’ in evolutionary biology,[2] a series of emotion researchers have proposed that affectivity – broadly construed to include emotions, moods, and […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 11:13:522019-05-27 11:13:52The affective niches of media

The emotional politics of limerence in romantic comedy films

May 27, 2019/in Spring 2019_#Emotions

by Wyatt Moss-Wellington When we discuss falling in love, we tend to use terms that point to a division in thinking and feeling. Consider, for instance, the phrase ‘my head wants one thing but my heart wants another’. The experience of falling in love is not simply a change in our thoughts about another; it […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 11:10:242019-05-27 11:10:24The emotional politics of limerence in romantic comedy films

Strategic pleasure: Gendered anger as collective emotion in ‘Wanted’

May 27, 2019/in Spring 2019_#Emotions

by E. Deidre Pribram Much current television analysis focuses on the impending demise of the medium,[1] in which audiences are conjectured to splinter into ever more fragmented, minute bundles of viewers, in the aftermath of a proliferating multi-channel environment and as we move further into the digital era with its ever-enhanced viewing options. However, one […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 10:59:522019-05-27 10:59:52Strategic pleasure: Gendered anger as collective emotion in ‘Wanted’

Books of faces: Cultural techniques of basic emotions

May 27, 2019/in Spring 2019_#Emotions

by Grant Bollmer Introduction In 2015, Facebook filed a patent that proposes the passive use of digital cameras on computers and smartphones, taking pictures of users, matching, among other things, photographed facial expressions with those in a database.[1] This would permit, the patent suggests, evaluation of subjective feelings about whatever appears on one’s social media […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 10:51:182019-05-27 10:51:18Books of faces: Cultural techniques of basic emotions

Media and emotion: An introduction

May 27, 2019/in Spring 2019_#Emotions

by Jens Eder, Julian Hanich, and Jane Stadler From movies to emojis, from love letters to flame wars, from shocking television news to immersive video games – emotions are of utmost importance for media production, reception, appropriation, and interaction. They guide the sensory perception and meaning-making of their users; they imprint media experiences into memory; […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 10:13:472019-05-27 10:13:47Media and emotion: An introduction

Editorial NECSUS

May 27, 2019/in Features, Spring 2019_#Emotions

The Spring 2019 issue of NECSUS includes a special section on the theme #Emotions, guest edited by Jens Eder (Potsdam), Julian Hanich (Groningen), and Jane Stadler (Melbourne). The section brings together contributions by Steffen Hven, Grant Bollmer, Carl Plantinga, E. Deidre Pribram, Wyatt Moss-Wellington, David Evan Richard, and David W R Brown. Please refer to […]

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NECSUS Spring 2019 _ #Emotions, call for papers

August 10, 2018/in News

guest edited by Jens Eder (Film University Babelsberg Konrad Wolf), Julian Hanich (University of Groningen), and Jane Stadler (Swinburne University) For more than two decades emotions have been a major topic of discussion and contention in film and media studies. From cognitive theories and phenomenology to affect studies, many different approaches have been suggested, many […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-08-10 22:22:322018-08-11 10:32:53NECSUS Spring 2019 _ #Emotions, call for papers

Animal Publics in Australia

June 22, 2015/in News

The Australasian Animal Studies Association conference takes place from 12-15 July 2015 at the University of Melbourne. The title of this edition of the biannual gathering is Animal Publics: Emotions, Empathy, Activism. The conference is convened by the Australian Center and the Human Rights and Animal Ethics Research Network. Professor Barbara Creed, co-editor of the […]

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

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