In 2012, Helen Warner published the article ‘Tracing Patterns: Critical Approaches to On-screen Fashion’ in which she was still able to claim that ‘the study of on-screen fashion continues to be somewhat marginalised in the academy’.[1] Since then, publications dedicated to fashion and film have significantly grown in number. Beyond the seminal Fashion in Film […]
‘There have never been any good films on that period’, quips Jean-Luc Godard in his salty assessment of 1968, a thunderous era of insurrection, invention, and promise.[1] No artists, no aesthetics, were able to competently capture those outbursts, monumental as they were; elusive and at least a tad unrepresentable, the Parisian barricades (an event that […]
The advent of cinema coincided with the birth of Italian Futurism. The emerging medium seemed perfectly suited to the concerns of a movement promoting new aesthetics and modes of perception, fascinated with the sensation of speed and the dynamism of modern life. However, the film output of Futurism was very limited, with several works lost […]
At a time when women’s access to shaping the public discourse through the exercise of their agency remains a precious commodity, the volumes edited by Boel Ulfsdotter and Anna Backman Rogers – Female Authorship and the Documentary Image and Female Agency and Documentary Strategies – come as important and necessary contributions to the field of […]
As audiovisual practices become increasingly multiplied and complex − from the omnipresence of (multi-)screens to the overstimulation of digital technologies − art is more sociopolitically-oriented than ever and, conversely, society acquires an aestheticised bias. Cinema still plays an important role in the current media landscape, but it is increasingly pervaded by other art forms and […]
Hakan Ergül’s Popularizing Japanese TV: The Cultural, Economic, and Emotional Dimensions of Infotainment Discourse (London-New York: Routledge, 2019) and Annette Hill’s Media Experiences: Engaging with Drama and Reality Television (London-New York: Routledge, 2019) constitute two recent examples of strenuous ethnographic work with empirical focus on popular television. Both publications reveal the extremely rewarding character of […]
In the recent decades, academic research on early cinema has grown remarkably. At the intersection of early cinema studies and feminist history, significant new research has revealed the hitherto overlooked presence of women, and the rich diversity of positions they held, in the first decades of film production. Feminist film historiography has an ever-expanding scope. […]
Both Screening European Heritage: Creating and Consuming History on Film, edited by Paul Cooke & Rob Stone (London: Palgrave European Film and Media Studies, 2016), and Docudrama on European Television: A Selective Survey, edited by Tobias Ebbrecht-Hartmann and Derek Paget (London: Palgrave European Film and Media Studies, 2016) offer well-edited collections of specialised scholarly texts […]
Formalism, as a term in the criticism of visual art, might be defined thus: as the conviction that forms contain their own syntax which acts on the spectator more or less directly. Further, the formalist maintains that experience of form is aesthetic experience; its effect is something called aesthetic emotion. And its opposite is not […]
In 2015, the former Portuguese colonies of Angola, Mozambique, Sao Tomé and Principe commemorated the 40th anniversary of their independence. In reality, the end of the Portuguese empire in the 1970s was as abrupt as its history had been exceptional in relation to the rest of the 20th century colonies: the length of the Portuguese […]
The study of television is often viewed as a crucial window into a given society’s popular culture. Dominant codes of meaning contained within the programming, and the ways in which various cultural groups decode those meanings – even the very broadcast technology itself – can reveal much about a society’s values, politics, and cultural traditions. […]
Celebrity studies is now a burgeoning subfield within film and media studies, with its own journal (Celebrity Studies [founded in 2010]), international conferences, and a raft of publications that have defined its parameters, notably work by Graeme Turner (2014), Chris Rojek (2001, 2012), P. David Marshall (2014), Su Holmes and Sean Redmond (2006), Su Holmes […]
Talking about the rise of the internet is at once as trivial as it is banal. If I asked a friend a speculative question, how do I make my own sourdough culture, they would sarcastically respond, there is this new thing where you can type in these questions without asking me – it is called […]
It is difficult to separate the history of cinema, a form of art so embedded within the twentieth century, from the history of Communism. Perhaps it is not only because of the coincidence of the two dates of birth but, rather, there is something more profound and more structural in regards to their common heritage […]
Do we still live in a mass society? Does that foul spectre of the long and dark 20th century – the masses – extend into the 21st? We would perhaps like to believe that it does not. Or should we say they do not? Part of the anxiety over this strange socio-logical category can already […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London