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A Machine for Viewing

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by Richard Misek In 1970, experimental filmmaker Peter Kubelka designed a cinema auditorium for Anthology Film Archives in New York, in which ‘shell-like’ seats and reams of black velvet caused all but the screen to disappear into darkness.[1] He referred to his Invisible Cinema as ‘a machine for viewing’.[2] Though the movie theatre is now […]

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VR on the film festival circuit: IDFA & IFFR 2017-2019

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In this review I discuss the recent embracement of VR by film festivals. In less than a half a decade VR emerged as a central phenomenon in the global film festival circuit, turning from a technological gadget in its initial development stages to a prominent visual exhibition form. In 2014, only few film festivals were […]

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At the threshold into new worlds: Virtual reality game worlds beyond narratives

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by Kai Matuszkiewicz and Franziska Weidle Introduction In 2016, Facebook, Sony, and HTC released new Virtual Reality (VR) hardware. In combination with other VR devices such as Google’s Project Cardboard and locomotion simulators (e.g. Virtuix Omni), Oculus rift, PlayStation VR, and Vive aim to push VR gaming into the mass market. A similar development appears […]

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Virtual Reality installation CARNE y ARENA

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From 15 June to 27 August 2018, EYE Film Institute Netherlands will present the virtual reality installation CARNE y ARENA (Virtually Present, Physically Invisible) by director Alejandro González Iñárritu. During the summer the installation will run in Amsterdam as part of EYE’s Xtended series, which focuses on debate-sparking virtual reality projects by filmmakers and artists. […]

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Virtual futures and cinematic pasts at the 65th Melbourne International Film Festival

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The annual Melbourne International Film Festival (MIFF) ranks among the oldest film festivals in the world. Launched in 1952 by enthusiasts seeking to watch films that were otherwise unavailable in Australia, MIFF emerged as one of the earliest examples of audience-driven film festivals in the world. From a modest program of 8 feature films and […]

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Serious games

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by Harun Farocki In the summer of 2008 my collaborator Matthias Rajmann sent me a newspaper clipping. Traumatised U.S. troops returning from combat are treated with video games. In therapy they watch virtual scenarios that simulate some of the situations they experienced in Iraq. The idea is that the virtual images will help the soldiers […]

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Malte Hagener
Philipps-University Marburg

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Francesco Pitassio
University of Udine

Belén Vidal
King’s College London

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