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Tag Archive for: review

NECSUS: Call for Book Reviewers – August 2024

August 25, 2024/in News

The purpose of the book review section is to inform NECSUS readers about new scholarship in media studies and to support critical engagement with published work. Please consult the Review Guidelines for further guidance. In the upcoming issues of NECSUS, we are particularly interested in featuring reviews of the following books: The Ethnographic Optic: Jean […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2024-08-25 11:10:542024-10-04 09:16:42NECSUS: Call for Book Reviewers – August 2024

Insomnolence: The Sociability of Sleep at Agora Hydro-Québec

June 26, 2024/in Exhibition Reviews, Reviews, Spring 2024_#Open

How might exploring a sleeper subjectivity – the quotidian ways we navigate time, space, ourselves, and others – help us reimagine and reanimate the sociability of sleep itself?[1] This is the question at the heart of the exhibition Insomnolence: The Sociability of Sleep, curated by Marianne Cloutier, Aleksandra Kaminska, and Alanna Thain, held at the […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2024-06-26 05:18:382024-06-26 05:18:38Insomnolence: The Sociability of Sleep at Agora Hydro-Québec

The two sides of VR utopias

June 26, 2024/in Festival Reviews, Reviews, Spring 2024_#Open

At the center of Lazzaretto Vecchio, the immersive island of the Venice Film Festival, there is an open social space where directors, producers, press, volunteers, and festival visitors can gather together to grab quick drinks, meet old and new friends, and sit down for interviews and/or business talks. The community space offers a relief from […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2024-06-26 05:18:282024-06-26 05:18:28The two sides of VR utopias

The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac

June 26, 2024/in Reviews, Festival Reviews, Spring 2024_#Open

Within the Venice Film Festival, a dedicated section for immersive works was introduced in 2016, quickly gaining competitive status alongside traditional cinematic works. Venice Immersive serves as both an exhibition and promotion venue for XR and a forum for discussing pivotal market issues. This interview with the Venice Immersive creators and curators, Liz Rosenthal and Michel Reilhac, delves into the early stages of the section, its objectives, the challenges faced, and the major issues within the immersive works market.

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2024-06-26 05:17:242024-06-26 05:17:24The future of the screen: Exploring Venice Immersive with Liz Rosenthal and Michel Reilhac

The Sensorium of The Drone and Communities

June 26, 2024/in Reviews, Book Reviews, Spring 2024_#Open

In Touching Feeling: Affect, Pedagogy, and Performance (2003), seminal literary critic and queer theorist Eve Kosofsky Sedgwick coins the term ‘paranoid reading’ to describe the tendency of critics to see their objects of study as having some inherent flaw that the critic must unmask. This paranoid reading, contended Sedgwick, deeply prevents critics’ capacity to sense […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2024-06-26 05:17:182024-07-17 11:31:18The Sensorium of The Drone and Communities

Everyday life and mnemonic gestures

December 11, 2023/in Autumn 2023_#Cycles, Book Reviews, Reviews

Family records and personal analogue artefacts such as home movies and snapshots have continually become noticeable through practices of repurposing and appropriation, particularly in documentary films that have utilised archives either as an illustration, a storytelling device, or historical evidence.[1] Following this perspective, in documentary practices, domestic footage is not just viewed as stale or […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2023-12-11 11:37:112023-12-11 11:38:06Everyday life and mnemonic gestures

On the habitus of festival-going: Digital anxiety and urban aspects of post-COVID Berlinale

December 11, 2023/in Autumn 2023_#Cycles, Festival Reviews, Reviews

Accreditations typically determine how people access a film festival: they determine whether someone acts, for instance, as a journalist, a producer, a creator, a researcher, or as a regular member of the audience. The fact that a festival does not consider any accreditation system also conditions how attendees behave during the event. The spaces one […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2023-12-11 11:36:002023-12-11 11:36:00On the habitus of festival-going: Digital anxiety and urban aspects of post-COVID Berlinale

Inside the archive of feelings: Experiencing Il Cinema Ritrovato

December 11, 2023/in Autumn 2023_#Cycles, Festival Reviews, Reviews

Proudly announcing on its website ‘thirty-seven years of emotions’, the 37th edition of Il Cinema Ritrovato promised a gargantuan feast to those prepared to disengage themselves from the demands of everyday life during nine packed days. This year, the festival’s program boasted ‘470 films including 35mm, 16mm, restored masterpieces and hidden gems from all over […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2023-12-11 11:30:002024-12-09 11:57:37Inside the archive of feelings: Experiencing Il Cinema Ritrovato

Absence in Cinema

December 8, 2022/in Reviews, Autumn 2022_#Materiality, Book Reviews

Justin Remes’ Absence in Cinema: The Art of Showing Nothing (New York: Columbia University Press, 2020) can be treated as the complement to the author’s earlier volume, also from Columbia University Press, Motion(less) Pictures: The Cinema of Stasis (2015), in that he deconstructs the art of the ‘moving image’ to its fundamentals: i.e., films that […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-12-08 16:35:202022-12-14 09:40:34Absence in Cinema

Itineraries of walking and footwear on film

June 7, 2022/in Book Reviews, Reviews, Spring 2022_#Rumors

Over the past two decades, there has been growing scholarly interest in walking, as evidenced by an increasing number of publications, workshops (or sometimes ‘walkshops’), and other events dedicated to the topic. In this review, I focus on two recent volumes that can be positioned within this growing interest, but particularly contributing to the field […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-07 10:45:192022-06-19 10:31:58Itineraries of walking and footwear on film

The form and technology of videographic cinema

June 7, 2022/in Book Reviews, Reviews, Spring 2022_#Rumors

The surge of scholarly interest in the essay film has brought to light Theodor Adorno’s analogy in The Essay as Form that is as fruitful as it is intuitive: ‘The way the essay appropriates concepts can best be compared to the behavior of someone in a foreign country who is forced to speak its language […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-07 10:37:202022-07-05 09:41:36The form and technology of videographic cinema

One World Human Rights Documentary Film Festival: Limits of (de)centralised management during the pandemic

June 8, 2021/in Festival Reviews, Reviews, Spring 2021_#Solidarity

The One World Human Rights Documentary Film Festival (One World), which takes place in March, opens the Czech festival season. Since its inception in 1999, initiated by a human rights campaigner Igor Blaževič, this has become a reputable event and one of the major European human rights film festivals. In terms of the total number […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2021-06-08 18:18:012021-06-09 09:17:25One World Human Rights Documentary Film Festival: Limits of (de)centralised management during the pandemic

The 2020 Boston Latino International Film Festival: Continuing the fight for social justice virtually

June 6, 2021/in Festival Reviews, Reviews, Spring 2021_#Solidarity

Amidst violent police killings of people of colour, a global health pandemic, and a grassroots surge in activism calling for social justice in the US and abroad, the Boston Latino International Film Festival (BLIFF) was more crucial than ever in 2020. Launching virtually from 23-27 September 2020, the community festival continued with its nearly twenty-year […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2021-06-06 18:01:582021-06-09 09:17:41The 2020 Boston Latino International Film Festival: Continuing the fight for social justice virtually

Defining the high and the low of audiovisual images: Contemporary approaches

June 5, 2021/in Book Reviews, Reviews, Spring 2021_#Solidarity

‘HD is about reality’[1] (p. 11). Elisa Linseisen’s first monograph High Definition: Medienphilosophisches Image Processing (Meson Press, 2020), based on her doctoral thesis, opens with a powerful argument. The book is published open access. Through the analysis of documentaries, video art works, galaxy photographs, blockbusters, press images, and Netflix series Linseisen demonstrates that high definition […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2021-06-05 10:50:022021-06-23 08:22:26Defining the high and the low of audiovisual images: Contemporary approaches

Uncovering in-betweens: On photochemical practices and handmade cinema

May 16, 2021/in Book Reviews, Spring 2021_#Solidarity

In the early years of the digital turn and the post-medium age, Edward S. Small developed his direct-theory argument and his presentation of experimental film/video as a separate major genre in his 1995 book. He defined the function of experimental film/video as ’neither to entertain nor persuade but rather to examine the quite omnipresent yet […]

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https://necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2021-05-16 16:24:062021-06-14 11:01:36Uncovering in-betweens: On photochemical practices and handmade cinema
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NECSUS: Call for Book Reviewers – August 2024

Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

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The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

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