‘There is a point at which methods devour themselves.’ – Frantz Fanon (Black Skin, White Masks) One can observe, in recent years, an obsession with methods – both in humanities research and teaching. Discussions include apprehensions about the imminent obsolescence of established media studies methodologies, a more liberal (in all senses?) search for synergies with […]
by Evelyn Kreutzer In this audiovisual study, I look at music-performative gestures of ‘fetishisation’. Against the backdrop of the mid-century celebrity conductor figure, as well as larger historical discourses around mediated music consumption, I focus on two conductors in two films, which draw on the same musical composition: Disney’s Fantasia (1940) and Hugo Niebling’s Pastorale […]
by Tracy Cox-Stanton voiceover transcript 1 writing parts and wholes In the essay film, like the video essay, words are not just ideas. They’re also sounds and images. When an essay film examines its object, words often fade away completely, supplanted by the complex signifying landscape of mise en scène. The video essay, like the […]
by A Zinsel Author A Zinsel is a recent graduate of the Savannah College of Art and Design, MA program in cinema studies, specialising in audiovisual techniques. Her research focuses on the status of the cinematic image in the digital environment, aided by the use of non-linear editing software and collaborative scholarly practice.
by Tracy Cox-Stanton Reflecting on her audiovisual study of a dance sequence in Gentlemen Prefer Blondes, Laura Mulvey notes that ‘digitally derived “delayed cinema” [has] a special, privileged relationship to cinematic gesture’.[1] Building upon her arguments in Death Twenty-four Times a Second,[2] Mulvey discusses how digital editing tools enable the film scholar to fragment a […]
by Angelo Restivo To begin with, I would want to stress that in this video – which juxtaposes images from the television series Breaking Bad with scenes from the archive of surrealist filmmaking – I am decidedly not claiming that these resonances and rhymes were intentional citations by the production team of the television series. […]
by Catherine Grant and Jaap Kooijman In recent years, videographic criticism in the form of remix-based audiovisual essays has gained momentum in Media and Screen Studies, with courses and workshops at universities, presentations at international conferences, and publication opportunities in academic journals such as [in]Transition: Journal of Videographic Film and Moving Image Studies, The Cine-Files, […]
by Juan Llamas-Rodriguez This video is the first in a series of video essays on the female narcotrafficker, a character whose popularity has surged in the past two decades across film, television, and other audiovisual media. My series takes the popular figure as an agent to instigate ruminations on social themes recurring across its various […]
Janet McCabe on Flow/Cut, Body/Matters, Law/Fear – a triptych of audiovisual essays made with Catherine Grant 1. FLOW/CUT … the forces that perpetrate injustice belong not to ‘the space of places’, but to ‘the spaces of flows’. Not locatable within the jurisdiction of any actual or conceivable territorial state, they cannot be made answerable to […]
by Ian Garwood
by Drew Morton
by Luís Azevedo
by Greta Calaciura and Shant Bayramian
by Miklós Kiss As guest editor, my focus for the audiovisual essay section of the Spring and Autumn 2018 issues of NECSUS is original scene analyses as examples of autonomous and explanatorily argumentative videographic criticism. I aimed to inspire the making of videographic works that provide ‘straightforward close analyses of specific scenes of movies – […]
by Patrick Keating
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London