From 7-11 June 2021, the Department of Theatre, Film and Television Studies at Aberystwyth University, Wales, will be hosting the hybrid conference ‘The Shifting Ecologies of Photochemical Film in the Digital Era’. Organized by Kim Knowles, Marcy Saude and Christo Wallers, the conference explores how film operates alongside and in dialogue with technological and digital […]
The ‘Cinepoetics Lectures’, a collaboration between the Center for Advanced Film Studies at the Freie Universität Berlin, Germany, and the Kino Arsenal (Institute for Film and Video Art), are open to the public and free of charge – and now also available online as audio recordings. Following the research center’s goal to explore the poetologies […]
The Association of the Indonesian Film Scholars KAFEIN is hosting the virtual conference “Women in Indonesian Film and Cinema” until the end of August. Organised around eight panels, the virtual conference explores the role of women in the Indonesian film history, in the transformation of film from other media as well as in different genres […]
by Richard Misek
What can the Jewish myth of the Golem teach us about artificial intelligence? This article explores the Golem as one of the earliest AI prototypes and a myth that became a foundational story of sci-fi cinema. The Golem sets the parameters of opposition between men and intelligent or sentient machines, and at the same time points to possible third options beyond the dialectic of control.
by Oscar Raby
by Richard Misek In 1970, experimental filmmaker Peter Kubelka designed a cinema auditorium for Anthology Film Archives in New York, in which ‘shell-like’ seats and reams of black velvet caused all but the screen to disappear into darkness.[1] He referred to his Invisible Cinema as ‘a machine for viewing’.[2] Though the movie theatre is now […]
‘There have never been any good films on that period’, quips Jean-Luc Godard in his salty assessment of 1968, a thunderous era of insurrection, invention, and promise.[1] No artists, no aesthetics, were able to competently capture those outbursts, monumental as they were; elusive and at least a tad unrepresentable, the Parisian barricades (an event that […]
On 12 January 2020 the exhibition Time Machine: Cinematic Temporalities opened in the Palazzo del Governatore in Parma. Commissioned by the city’s Department of Culture led by the film studies scholar Michele Guerra and conceived as part of the cultural program for Parma 2020 Italian Capital of Culture, this exhibition offers a transmedial and media-archaeological […]
The advent of cinema coincided with the birth of Italian Futurism. The emerging medium seemed perfectly suited to the concerns of a movement promoting new aesthetics and modes of perception, fascinated with the sensation of speed and the dynamism of modern life. However, the film output of Futurism was very limited, with several works lost […]
‘There is a point at which methods devour themselves.’ – Frantz Fanon (Black Skin, White Masks) One can observe, in recent years, an obsession with methods – both in humanities research and teaching. Discussions include apprehensions about the imminent obsolescence of established media studies methodologies, a more liberal (in all senses?) search for synergies with […]
For the upcoming journal issues in 2020, NECSUS is looking for a book reviewer specialising in 1960s cinema. NECSUS intends to publish a review on the following pair of publications addressing the relationship of cinema to the events of 1968: Christina Gerhardt and Sara Saljoughi, eds. 1968 and Global Cinema. Wayne State University Press, 2018. […]
by Chris Lukinbeal Introduction Film, media, and visual culture’s spatial turn has kindled interest in the relationship between cartography and cinema. This growing body of literature has emphasised the similarities between the mediums as well as how cartography and cinema may be productively combined. Castro describes this as cinema’s ‘mapping impulse’, while Bruno calls cinema […]
From 19 September 2018 to 6 January 2019, the BOZAR Centre for Fine Arts in Brussels hosts an exhibition on the French filmmaker Chris Marker (1921-2012), titled Memories of the Future. The exhibition is set up in collaboration with La Cinémathèque Française. Described by the director Alain Resnais as ‘the prototype of the twenty-first-century man’, […]
On Saturday the 30th of June from 14.30-17h Café Chercher will organise an afternoon of unfinished research projects for the Cinema and Contemporary Visual Art workgroup (CCVA) at the University of Amsterdam (UvA) in the Doelenzaal at the University Library (Singel 425, Amsterdam). This is an hors-conference event following the European Network for Cinema and Media Studies 2018 Conference (NECS): Media Tactics and Engagement (27-29 June) which is hosted by […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London