Le Festival international de cinéma Vues d’Afrique is North America’s largest and longest-running African film festival. Established in Montreal in 1984, it has been held annually ever since. Its 36th edition was set to open on 17 April and run until 26 April, when, just a few weeks before the opening, festival organisers had to […]
Since March 2020 Covid-19 has led to a wave of cancellations in the event industry.[1] The Mobile World Congress of Barcelona, the world tourism exhibitions in Berlin and Shanghai, and the International Trade Fair for Wire and Cable in Dusseldorf, for example, were cancelled. The impact on tourism worldwide is far-reaching and has been a […]
In Turkey Covid-19 poses a particularly significant threat to the fragile existence of alternative exhibition networks, such as arthouse cinemas, film collectives, and small-size film festivals. The future of film exhibition and production has been among the hot topics in the wake of the lockdown.[1] The role of film festivals in the public sphere, as […]
In the wake of Covid-19, watch parties and watch-alongs have become increasingly popular forms of audience engagement, providing communal viewing experiences. As singular events or film series they have made use of streaming platforms such as Netflix, YouTube, Facebook, Vimeo, Twitter, or Instagram. For film festivals, which are currently facing the challenge to go hybrid […]
When a major festival such as South by Southwest (SXSW) is postponed, cancelled, or otherwise altered, the effects are widespread and impact upon those connected with the event in various ways. Given the speed at which the COVID-19 pandemic spread in early March 2020, and how close that was to the planned dates for SXSW, […]
I grew up in San Luis Obispo, a small town on the Central Coast of California, nestled equidistant between San Francisco and Los Angeles. Now a seasoned traveler and Brooklyn-based filmmaker, I look at San Luis Obispo as the small town that could not contain my curiosity and was not prepared to show me the […]
Film festivals cannot always claim to practice what they preach. Even some of the best-intentioned festivals often hit a wall: while attempting to exhibit politically subversive films, organisers also have to respond to diverse – and even conflicting – voices. Responding to the demands of local communities, audiences, filmmakers, and sponsors leads to compromises and […]
In this review I discuss the recent embracement of VR by film festivals. In less than a half a decade VR emerged as a central phenomenon in the global film festival circuit, turning from a technological gadget in its initial development stages to a prominent visual exhibition form. In 2014, only few film festivals were […]
Regina is a relatively small Canadian city with around 215,000 inhabitants in the province of Saskatchewan. It is also home to one of the most experimental LGBTQ+ film festivals in Canada. Queer City Cinema was founded in 1996 by multimedia artist and executive artistic director Gary Varro. In 2001, the festival started going on tour […]
In ELEKTRA’s own words, the digital art festival has been ‘helping audiences explore the diversity of performance practices, particularly audiovisual and robotics, since 1999’ and takes place over six days and nights in selected venues across Montreal. While the festival has become an important place to experience digital art in Montreal, it also functions as […]
This year’s gay pride celebrations were particularly important as both community-based groups and official institutions organised various symposiums, exhibitions, and festivals to commemorate the fiftieth anniversary of the Stonewall riots – an event often credited as the birth of the gay political movement. In Europe, several municipalities and official institutions capitalised on this anniversary and […]
In the turmoil of political relations between the US and Turkey, cultural activities build bridges that facilitate diplomacy and mutual understanding. In this report, I explore how the 23rd Boston Turkish Festival (BTF) serves as a deployment of film diplomacy and presents a strategic image of Turkey in the US via films. The themes covered […]
‘Space … is a product of relations-between, relations which are necessarily embedded material practices which have to be carried out.’ – Doreen Massey[1] Founded in 1998 by a group of Québécois documentary filmmakers, the Rencontres internationales du documentaire de Montréal (RIDM) has become one of Canada’s most established documentary film festivals. Since its inception, the […]
Mexico has experienced several cycles of growth or decline in film production and consumption, and like many other countries its own cinematography has been left out of the North American corpus that dominates the exhibition circuits. The mastery of American cinematography, which largely responds to canons originating with the Hollywood industry, imposes guidelines for aesthetic […]
Introduction Festivals are nowadays a cultural, social, and economic force to be reckoned with. This study will offer an overview of the Dutch festival landscape, which has been lacking. There are commercial initiatives that target only a portion of the festival sector, and there are specific branch organisations or cultural funds that only cover the […]
We would like to thank the following institutions for their support:
Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.
Download
The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London