by Elodie A. Roy In his numerous writings on archives, technologies, and time media archaeologist Wolfgang Ernst indefatigably interrogates the ways in which technical and digital media do not only exist in time but produce temporalities – and temporealities – of their own.[1] This interview sheds light on media archaeology as a discipline emerging within […]
by Malte Hagener Following the conversation with Richard Dyer featured in the Spring 2016 issue of NECSUS, we continue our series of interviews with key figures in the field of media studies. This time we turn to David Bordwell, one of the most prolific scholars in film studies, but also a controversial figure who was […]
Few documentary filmmakers have been as widely discussed in recent years as Joshua Oppenheimer. He burst onto the scene in 2012 with The Act of Killing, one of the more powerful feature-length debuts of any genre in recent memory. The documentary is about politically-motivated, state-sponsored killings in the 1960s in Indonesia and the residue of […]
by Geert Lovink Unlike predictions, ‘networks’ are on their way out. The reason for this is the unprecedented concentration of money, power, and infrastructures in the hands of a few monopoly players. Instead of ‘social networks’ we speak of ‘social media’, and that is no coincidence. In fact, ‘network theory’ has followed this trend for […]
by Eric de Kuyper and Annie van den Oever On 5 October 2015 the esteemed Belgium filmmaker Chantal Akerman passed away unexpectedly. Her sudden death created an outpouring of tributes in journals and blogs all over the world, full of sadness about the loss of an extraordinary filmmaker who has been celebrated ever since she […]
By setting a new attendance record, showing remarkable growth in the number of film professionals and media representatives, as well as a significant increase in media coverage, the 33rd Filmfest München (25 June – 4 July 2015)[1] confirmed its growing relevance as the second largest film festival in Germany. In addition, the introduction of two […]
Most large film festivals contain a constellation of attendees: casual moviegoers, devoted cinephiles, filmmakers, distributors, sales agents, and programmers – all of these figures help form the rich culture of film festivals. Central to this culture is the film critic, who travels the festival circuit filing film reviews and reports for media outlets.[1] The festival […]
by Laura Mulvey, Anna Backman Rogers, and Annie van den Oever Forty years after the publication of her seminal essay ‘Visual Pleasure and Narrative Cinema’ in Screen, Laura Mulvey, together with Anna Backman Rogers, has edited Feminisms: Diversity, Difference, and Multiplicity in Contemporary Film Cultures (Amsterdam University Press, 2015), which is the latest instalment of […]
by Enrico Camporesi Founded in 1954, the International Short Film Festival Oberhausen (Internationale Kurzfilmtage Oberhausen) is one of the pioneering film festivals for short films and a major venue for experimental, documentary, and artist’s film and video. Throughout the decades Oberhausen has been the site of crucial turning points in film history. In 1962, during […]
by Skadi Loist and Marijke de Valck On a sunny August afternoon in Amsterdam, Marijke de Valck and Skadi Loist of the Film Festival Research Network met cultural analyst, festival programmer, and filmmaker Eliza Steinbock (currently working as a lecturer and researcher at Maastricht University). The discussion ranged from Amsterdam-based transgender film festivals to issues […]
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Greg de Cuir, Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Jaap Kooijman
University of Amsterdam
Dorota Ostrowska
Birkbeck, University of London
Patricia Pisters
University of Amsterdam
Francesco Pitassio
University of Udine
Annie van den Oever
University of Groningen