by Malte Hagener and Annie van den Oever Martin Scorsese and production design, early British cinema and Sergei Eisenstein, the Archers and contemporary European film culture – Ian Christie is as versatile as he is prolific. We caught up with Ian between a visit to the Giornate del Cinema Muto in Pordenone, teaching at Birkbeck, […]
by Geert Lovink In Homo Deus, Yuval Harari states that the twentieth century was the age of the masses. According to Hariri, the issue of the masses has disappeared because armies no longer need millions of healthy soldiers and economies no longer employ millions of workers. As the danger – and power – of the […]
The exhibition Sergei Eisenstein: The Anthropology of Rhythm (Nomas Foundation, Rome, 20 September 2017 – 19 January 2018) explores the intersecting artistic, anthropological, and political dimensions of the unfinished film projects of Sergei Eisenstein: Que viva Mexico! (1931-1932), Bezhin Meadow (1935-1937), and Fergana Canal (1939). Curated by art and film historians Marie Rebecchi (Paris) and […]
by Julian Hanich Introduction Vivian Sobchack, born in 1940 in New York City, is one of the most influential American film theorists of the last 25 years. At the beginning of the 1990s she was the main driving force behind the recuperation of phenomenology as a viable methodology in film studies with her book The […]
by Elodie A. Roy In his numerous writings on archives, technologies, and time media archaeologist Wolfgang Ernst indefatigably interrogates the ways in which technical and digital media do not only exist in time but produce temporalities – and temporealities – of their own.[1] This interview sheds light on media archaeology as a discipline emerging within […]
by Malte Hagener Following the conversation with Richard Dyer featured in the Spring 2016 issue of NECSUS, we continue our series of interviews with key figures in the field of media studies. This time we turn to David Bordwell, one of the most prolific scholars in film studies, but also a controversial figure who was […]
Few documentary filmmakers have been as widely discussed in recent years as Joshua Oppenheimer. He burst onto the scene in 2012 with The Act of Killing, one of the more powerful feature-length debuts of any genre in recent memory. The documentary is about politically-motivated, state-sponsored killings in the 1960s in Indonesia and the residue of […]
by Geert Lovink Unlike predictions, ‘networks’ are on their way out. The reason for this is the unprecedented concentration of money, power, and infrastructures in the hands of a few monopoly players. Instead of ‘social networks’ we speak of ‘social media’, and that is no coincidence. In fact, ‘network theory’ has followed this trend for […]
by Eric de Kuyper and Annie van den Oever On 5 October 2015 the esteemed Belgium filmmaker Chantal Akerman passed away unexpectedly. Her sudden death created an outpouring of tributes in journals and blogs all over the world, full of sadness about the loss of an extraordinary filmmaker who has been celebrated ever since she […]
By setting a new attendance record, showing remarkable growth in the number of film professionals and media representatives, as well as a significant increase in media coverage, the 33rd Filmfest München (25 June – 4 July 2015)[1] confirmed its growing relevance as the second largest film festival in Germany. In addition, the introduction of two […]
Most large film festivals contain a constellation of attendees: casual moviegoers, devoted cinephiles, filmmakers, distributors, sales agents, and programmers – all of these figures help form the rich culture of film festivals. Central to this culture is the film critic, who travels the festival circuit filing film reviews and reports for media outlets.[1] The festival […]
by Laura Mulvey, Anna Backman Rogers, and Annie van den Oever Forty years after the publication of her seminal essay ‘Visual Pleasure and Narrative Cinema’ in Screen, Laura Mulvey, together with Anna Backman Rogers, has edited Feminisms: Diversity, Difference, and Multiplicity in Contemporary Film Cultures (Amsterdam University Press, 2015), which is the latest instalment of […]
by Enrico Camporesi Founded in 1954, the International Short Film Festival Oberhausen (Internationale Kurzfilmtage Oberhausen) is one of the pioneering film festivals for short films and a major venue for experimental, documentary, and artist’s film and video. Throughout the decades Oberhausen has been the site of crucial turning points in film history. In 1962, during […]
by Skadi Loist and Marijke de Valck On a sunny August afternoon in Amsterdam, Marijke de Valck and Skadi Loist of the Film Festival Research Network met cultural analyst, festival programmer, and filmmaker Eliza Steinbock (currently working as a lecturer and researcher at Maastricht University). The discussion ranged from Amsterdam-based transgender film festivals to issues […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Francesco Pitassio
University of Udine
Belén Vidal
King's College London