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Tag Archive for: television

The place of the pop song in academic audiovisual film and television criticism

June 8, 2022/in Audiovisual Essays, Spring 2022_#Rumors /by Greg DeCuir

by Ian Garwood ‘The Place of the Pop Song in Academic Audiovisual Film and Television Criticism’ contributes to a discussion about the use of the pop song in the scholarly audiovisual essay, an area of videographic practice that has inspired scant self-reflection to date. The video operates in an explanatory mode, so I will allow […]

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Online Conference – ‘The Politics of Casting in Media’

May 19, 2021/in News /by Greg DeCuir

From 20-21 November 2021, the Faculty of Creative Industries at the University of South Wales will host the interdisciplinary two-day online conference ‘The Politics of Casting in Media’. With an interest in the critical examination of casting both vocationally and textually as well as the role of the casting director within wider media production cultures, […]

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Media Experiences / Popularizing Japanese TV

December 21, 2019/in Autumn 2019_#Gesture, Book Reviews, Reviews /by Greg DeCuir

Hakan Ergül’s Popularizing Japanese TV: The Cultural, Economic, and Emotional Dimensions of Infotainment Discourse (London-New York: Routledge, 2019) and Annette Hill’s Media Experiences: Engaging with Drama and Reality Television (London-New York: Routledge, 2019) constitute two recent examples of strenuous ethnographic work with empirical focus on popular television. Both publications reveal the extremely rewarding character of […]

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Screen Studies Conference 2020

September 30, 2019/in News /by Greg DeCuir

The 30th International Screen Studies Conference, taking place at the University of Glasgow on 26-28 June 2020, welcomes proposals for papers, panels and audiovisual essays. The conference is organised by Screen editors Tim Bergfelder and Dimitris Eleftheriotis. The organisers particularly encourage contributions to a programming strand which will focus on the impact that recent calls […]

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New ways of seeing (and hearing): The audiovisual essay and television

May 27, 2019/in Audiovisual Essays, Spring 2019_#Emotions /by Greg DeCuir

by Catherine Grant and Jaap Kooijman In recent years, videographic criticism in the form of remix-based audiovisual essays has gained momentum in Media and Screen Studies, with courses and workshops at universities, presentations at international conferences, and publication opportunities in academic journals such as [in]Transition: Journal of Videographic Film and Moving Image Studies, The Cine-Files, […]

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European heritage and television

May 27, 2019/in Book Reviews, Reviews, Spring 2019_#Emotions /by Greg DeCuir

Both Screening European Heritage: Creating and Consuming History on Film, edited by Paul Cooke & Rob Stone (London: Palgrave European Film and Media Studies, 2016), and Docudrama on European Television: A Selective Survey, edited by Tobias Ebbrecht-Hartmann and Derek Paget (London: Palgrave European Film and Media Studies, 2016) offer well-edited collections of specialised scholarly texts […]

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Bodies at the border: Transnational co-produced TV drama and its gender politics in the pilots of ‘Bron/Broen’ and adaptations, ‘The Bridge’ and ‘The Tunnel’

May 27, 2019/in Audiovisual Essays, Spring 2019_#Emotions /by Greg DeCuir

Janet McCabe on Flow/Cut, Body/Matters, Law/Fear – a triptych of audiovisual essays made with Catherine Grant 1. FLOW/CUT … the forces that perpetrate injustice belong not to ‘the space of places’, but to ‘the spaces of flows’. Not locatable within the jurisdiction of any actual or conceivable territorial state, they cannot be made answerable to […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 11:08:182019-06-01 21:51:22Bodies at the border: Transnational co-produced TV drama and its gender politics in the pilots of ‘Bron/Broen’ and adaptations, ‘The Bridge’ and ‘The Tunnel’

Digital maps and fan discourse: Moving between heuristics and interpretation

December 9, 2018/in Autumn 2018_#Mapping /by Greg DeCuir

by Marta Boni It has already been established that maps, studied as a form of knowledge, share certain attributes with moving images. Both have the function to make visible elements of real, or imaginary, landscapes, but also to offer a multitude of possible paths, as well as multiple ways of existing in space and, sometimes, […]

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Screen Studies Conference 2019

October 30, 2018/in News /by Greg DeCuir

The 29th International Screen Studies Conference, taking place at the University of Glasgow on 28-30 June 2019, welcomes proposals for papers, panels, and audiovisual essays. The conference is organised by Screen editors Alison Butler and Alastair Phillips. Confirmed keynote speakers are David Campany (University of Westminster), Laura Marcus (University of Oxford), and Haidee Wasson (Concordia […]

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TV Socialism / Broadcasting Modernity

July 10, 2018/in Book Reviews, Reviews, Spring 2018_#Resolution /by Greg DeCuir

The study of television is often viewed as a crucial window into a given society’s popular culture. Dominant codes of meaning contained within the programming, and the ways in which various cultural groups decode those meanings – even the very broadcast technology itself – can reveal much about a society’s values, politics, and cultural traditions. […]

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Screen Studies Conference 2018

May 7, 2018/in News /by Greg DeCuir

The 28th international Screen Studies Conference will take place at the University of Glasgow from 29 June until 1 July 2018. The conference is programmed by Screen editors Jackie Stacey and Sarah Street. The keynote speakers are Erica Carter (King’s College London), Amelie Hastie (Amherst College), and Joshua Yumibe (Michigan State University). As there is […]

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Towards an alternative history of the video essay: Westdeutscher Rundfunk, Cologne

December 7, 2017/in Audiovisual Essays, Autumn 2017_#Dress /by Greg DeCuir

by Volker Pantenburg This dossier on audiovisual essays focuses on a trajectory in the history of the video essay that tends to be ignored in current discussions of the format. According to a well-known genealogical account, the video essay was born from the encounter of platforms like YouTube, social media, cinephilia 2.0, inexpensive DIY editing […]

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Statistic intersubjectivity: A phenomenology of television audiences

May 28, 2017/in Features, Spring 2017_#True /by Greg DeCuir

by Christian Ferencz-Flatz 
In the following I will first sketch out a phenomenological interpretation of Walter Benjamin’s reflections on film-viewership, which he considers to be symptomatic for contemporary perception in general, by focusing especially on the implicit theory of intersubjectivity that underpins them.

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The Place of Voiceover in Academic Audiovisual Film and Television Criticism

December 4, 2016/1 Comment/in Audiovisual Essays, Autumn 2016_#Home /by Greg DeCuir

by Ian Garwood The line between academic and non-scholarly videographic film criticism The production of The Place of Voiceover in Academic Audiovisual Film and Television Criticism (2016) coincided with the release of two books focused on videographic film studies: The Videographic Essay – Criticism in Sound and Image, edited by Christian Keathley and Jason Mittell;[1] […]

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A geography of resistance: Locating US underground film and TV cultures

December 4, 2016/in Autumn 2016_#Home, Book Reviews, Reviews /by Greg DeCuir

The latest collection from David E. James[1] and Adam Hyman (filmmaker and former executive director of the Los Angeles Filmforum) offers a historical and critical representation of the emergence and organisation of the US West Coast postwar experimental cinema scene. The book, titled Alternative Projections: Experimental Film in Los Angeles, 1945-1980 (New Barnet: John Libbey […]

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Belén Vidal
King’s College London

Andrea Virginás 
Babeș-Bolyai University

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