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You are here: Home1 / Issues2 / Spring 2012_’Crisis’
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Editorial Necsus


Articles:

The gaps of cinema by Jacques Rancière

Twitter as a multilingual space: The articulation of the Tunisian revolution through #sidibouzid by Thomas Poell and Kaouthar Darmoni

Policing the people: Television studies and the problem of ‘quality’ by Sudeep Dasgupta

The photo-novel, a minor medium? by Jan Baetens


Special Section: Crisis

Sea-change: Transforming the ‘crisis’ in film theory  by Robert Sinnerbrink

A sideways view of the film economy in an age of digital piracy  by Ramon Lobato

Portraying the global financial crisis: Myth, aesthetics, and the city by Miriam Meissner

Universal, Germany, and All Quiet on the Western Front: A case study in crisis historiography by Michael Wedel

Ephemeral bodies and threshold creatures: The crisis of the adolescent rite of passage in Sofia Coppola’s The Virgin Suicides and Gus Van Sant’s Elephant by Anna Backman Rogers


Book Reviews:

Crisis and capitalism in contemporary Argentine cinema reviewed by Fausto Appiolaza

Towards a new media archaeology? A report on some books and tendencies reviewed by Petra Löffler


Conference Reviews:

Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge reviewed by Beatriz Bartolomé Herrera

The impact of technological innovations on the historiography and theory of cinema, La Cinémathèque québécoise, Montreal reviewed by Trond Lundemo


Festival + Exhibition Reviews:

Busan Cinema Forum 2011 reviewed by Skadi Loist and Marijke de Valck

Atlas. How to carry the world on one’s back? reviewed by Teresa Castro

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

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