Articles:
The relocation of cinema by Francesco Casetti
MP3s, rebundled debt, and performative economics: Deferral, derivatives, and digital commodity fetishism in Lady Gaga’s spectacle of excess by Anne Kustritz
Can you see yourself living here?: Structures of desire in recent British lifestyle television by James Zborowski
Investigatory art: Real-time systems and network culture by Edward Shanken
Beyond cognitive estrangement: The future of science fiction cinema by Stephen Zepke
The care for opacity: On Tsai Ming-Liang’s conservative filmic gesture by Erik Bordeleau
Special Section: Tangibility
Material properties of historical film in the digital age by Barbara Flueckiger
Early cinema’s touch(able) screens: From Uncle Josh to Ali Barbouyou by Wanda Strauven
Aporias of the touchscreen: On the promises and failures of a ubiquitous technology by Timo Kaerlein
Questions of embodied difference: Film and queer phenomenology by Katharina Lindner
The intangible ground: A neurophenomenology of the film experience by Adriano D’Aloia
From subject-effect to presence-effect: A deictic approach to the cinematic by Pepita Hesselberth
‘The last ray of the dying sun’: Tacita Dean’s commitment to analog media as demonstrated through FLOH and FILM by Caylin Smith
Festival Reviews:
edited by Marijke de Valck and Skadi Loist of the Film Festival Research Network
The Angels’ Share at the 2012 Cannes Film Festival review by David Archibald
The 37th annual Toronto International Film Festival: Seeking the social in the virtual review by Sarah Dillard
Alternative Film/Video Belgrade 2011 review by Maja Krajnc
Book Reviews:
The good, the beautiful and the sublime review by Bavand Behpoor
A multiplied medium: Reviewing recent publications on television’s transitions review by Markus Stauff
European nightmares: Horror cinema in Europe since 1945 review by Francesco Di Chiara
Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno review by Malte Hagener
Exhibition Reviews:
The Abramović Method, PAC Padiglione d’Arte Contemporanea, Milan (March-June 2012) review by Elena Biserna
Non Non Non – Visiting the exhibition with Yervant Gianikian and Angela Ricci Lucchi review by Miriam De Rosa
