Strategic pleasure: Gendered anger as collective emotion in ‘Wanted’
by E. Deidre Pribram Much current television analysis focuses on the impending demise of the medium,[1] in which audiences are conjectured to splinter into ever more fragmented, minute bundles of viewers, in the aftermath of a proliferating multi-channel environment and as we move further into the digital era with its ever-enhanced viewing options. However, one […]