by Milla Tiainen Introduction Approached with varying attention to its sensory, auditory, and signifying dimensions, over the past decades the voice has attracted repeated investigation and theorisation in research and discussions about media. The voice in media has been explored and conceptually defined by a series of undertakings, from enquiries in film studies to recent […]
by Catherine Lord Introduction: Slow greens, impending greys ‘I’m trudging through a grey woolly yarn. It’s clinging to my legs. It’s really heavy to drag along’, says Justine (Kirsten Dunst) to her sister Claire (Charlotte Gainsbourgh). Draped like a corpse in the whiteness of her wedding dress, Justine is immobile in a state of acute […]
by Barbara Flueckiger In his landmark study The Virtual Life of Film, David N. Rodowick rephrases André Bazin’s famous question ‘what is cinema?’ using the past tense: ‘what was cinema?’ He notes that, paradoxically, film studies is dealing with an object that no longer exists; it ceased existing as an object of study in the […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London