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False color/real life: Chromo-politics and François Laruelle’s photo-fiction

by Yvette Granata Introduction  Responding to a journalist’s demand to justify the amount of violence in Pierrot le fou (1965), Godard insisted that there was no blood in his films, just the color red.[1] His remark draws the line for approaching color not only through questions of its representational properties, but through the realism of […]