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You are here: Home1 / Journal2 / Spring 2023_#Ports

Editorial NECSUS

Special section: #Ports

          edited by Maria Vélez-Serna and Markus Stauff

Ports: On the material and symbolic mediation of global capitalism by Maria Vélez-Serna and Markus Stauff 

Ports and the politics of visibility: An interview with Laleh Khalili by Maria Vélez-Serna and Markus Stauff 

Port of call: The eyeline of the logistical image by Stephen Turner

Ports as nodes in film logistics: Swedish film agent Oscar Rosenberg in the years after the First World War by Mats Björkin

The use of sound and film as rebranding strategies in two Danish port cities by Ida Sofie Gøtzsche Lange & Lea Holst Laursen & Marieke van Hulst Pedersen

‘The shipyard is dead’: Ports, memory, and left melancholy in contemporary French cinema by Ben Scott

Ports and media: A research project showcase

Features

From cloudy logic to logistical system: Algorimages, black boxes, and the socio-technical infrastructure of platforms by Leo Hansson Nilson

Cinema and/as infrastructure in interwar avant-gardes and empire aviation documentaries by Anu Thapa

First person war: Helmet cameras between testimony and performance by Federico Selvini

National film festivals circuits in the Latin American sphere: Discussing film canon, film culture, and cinephilia by Sebastián González Itier

Girls will be boys in German silent cinema by Laura Horak

Desire lines: An interview on the sociality of film with B. Ruby Rich by Dagmar Brunow and Skadi Loist

Audiovisual Essays: Desktop Documentary

          guest edited by Kevin B. Lee and Ariel Avissar

Desktop documentary as scholarly subjectivity: Five approaches by Kevin B. Lee and Ariel Avissar

Desktop Documentary by Johannes Binotto 

“With a Camera in Hand, I was Alive” by Katie Bird

Double Exposures: ‘Visual returns’ in the Deadwood and Breaking Bad sequel films by Brunella Tedesco-Barlocco

Indians from 1967: A Reaction by Ritika Kaushik

Some Thoughts Occasioned by Four Desktops by Ariel Avissar 

Festival Reviews: Focus on Latin America

          edited by Marijke de Valck, Diane Burgess and Antoine Damiens

Arquivo em Cartaz: Archival film festivals amid old and new challenges by Juliana Muylaert

17th DocsMX: Returning to the streets and meeting with audiences by Bianca Pires

Havana Film Festival New York 2022: A cultural bridge emerging from COVID-19 by Michelle Farrell

Book Reviews

          edited by Victoria Pastor-González and Patricia Nogueira

Experiencing Cinema / Ephemeral Cinema by Sian Barber

The many stories of cinema and cinephilia in Pakistan by Syeda Momina Masood

Exhibition Reviews

          edited by Miriam de Rosa and Annet Dekker

An infinite exhibition fills the nave: Laurent Grasso’s ANIMA by Oksana Chefranova

Becoming Geological: Imagining an affirmative otherwise by Rick Dolphijn and Justyna Jakubiec

Data Papers

          edited by Alexandra Schneider and Malte Hagener

Data Papers – An Introduction by Alexandra Schneider and Malte Hagener

How to capture the festival network: Reflections on the Film Circulation datasets by  Skadi Loist and Evgenia (Zhenya) Samoilova

 

 

 

 

 

 

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

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The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

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