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You are here: Home1 / Journal2 / Autumn 2023_#Cycles

Editorial NECSUS by Toni Pape, Martine Beugnet, Greg de Cuir Jr, Judith Keilbach, Skadi Loist, Belén Vidal and Andrea Virginás

Special section: #Cycles

#Cycles: On circularity and recursivity in media culture by Toni Pape

No more ego-spheres: An interview with Lydia Kallipoliti on ecological design by Toni Pape and Riley Gold

Of sand and stone: Thick time, cyclicality, and Anthropocene poetics in Nomadland by Gert Jan Harkema 

Caught in the loops of digital agency panic: On NPCs and internet addicts by Jernej Markelj and Daniël de Zeeuw 

(Dis)orientation in net art: Disrupting the feedback loop of cybernetic subjectivities by Mihai Bacaran

Cybernetic subjectivities on a loop: From video feedback to generative AI by Violaine Boutet de Monvel

Rewind, recycle, revive! An investigation into nostalgia-driven sequel and requel practices in small European film industries: The case of Flanders by Atalya de Cock, Eduard Cuelenaere, Gertjan Willems, and Stijn Joye

From still to moving images and vice versa: Analysing technological cycles and the use of AI to study film history by Beatriz Tadeo Fuica and Arthur Lezer 

Experimenting in circles: Agfa, amateur cinema, and the art of R&D by Miriam De Rosa and Andrea Mariani 

A genealogy of migrant organising by Germany’s Asiatische Deutsche: Presencing the Asian Film Festival Berlin by Feng-Mei Heberer

Audiovisual Essays: #Cycles

Cycles of Labour: In the Metaverse, We Will Be Housewives by Veronika Hanáková, Martin Tremčinský, and Jiří Anger

Split Screen as Hermeneutic Tool: Recursivity and Crosstalk in Better Call Saul by Nicolás Medina and Miklós Kiss

Close Circuit by Tripot

I foresee that I’m going to have known it by Vorozheikin Yevhen

The Time-Loop as Game Mechanic, Narrative Device and Cycle of Systemic Racism by Daniel O’Brien

Features

Voices from the debris: An interview with Mila Turajlić on unearthing anti-colonial solidarities by Carolyn Birdsall  and Nadica Denić

Surveillance, Resistance and the Politics of Love: On Yorgos Lanthimos’ The Lobster by Cristóbal Escobar

Creativity, Passion, and Community: The Rise of India’s Transnational Producers by Neha Bhatia

Festival Reviews

          edited by Marijke de Valck, Diane Burgess and Antoine Damiens

Accessing Film Culture and Community at the 2023 Melbourne International Film Festival by Anna Debinski

On the habitus of festival-going: Digital anxiety and urban aspects of post-COVID Berlinale by Minerva Campos Rabadán

Inside the archive of feelings: Experiencing Il Cinema Ritrovato by Belén Vidal

A Monumental Chronicle of ‘The Mother of All Film Festivals by Dina Iordanova 

Book Reviews

          edited by Victoria Pastor-González and Patricia Nogueira

Everyday Life and Mnemonic Gestures by Ana Sofia Almeida 

On Operational Images by Alba Gimenez

Exhibition Reviews

          edited by Miriam de Rosa and Annet Dekker

How to Prevent Hair Loss, Kiat Kiat Projects by Lisa Marie Sneijder 

Scale, infrastructure, and extractivism: An interview with Lesia Vasylchenko and Istvan Virag on their works in New Visions. The Henie Onstad Triennial for Photography and New Media by Susanne Østby Sæther

Communities of Concern, Dora Garcia at M HKA Antwerp by Katarzyna Ruchel-Stockmans

Data Papers

          edited by Alexandra Schneider and Malte Hagener

Public lantern lectures in the Netherlands 1880-1940: A dataset based on historical newspaper advertisements by Dulce da Rocha Gonçalves

Screening the Financial Crisis: A case study for ontology-based film analytical video annotations by Jan-Hendrik Bakels, Matthias Grotkopp, Thomas J.J. Scherer, and Jasper Stratil

 

 

 

 

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

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