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You are here: Home1 / Journal2 / Autumn 2022_#Materiality

Editorial NECSUS

Special section: #Materiality

edited by Josephine Diecke, Bregt Lameris, and Laura Niebling

On #Materiality by Josephine Diecke, Bregt Lameris, and Laura Niebling

Symbolic misery and digital media: How NFTs reproduce culture industries by Rémy Bocquillon & Joost van Loon

The laser: On the quantum materiality of media in the twentieth century by Jens Schröter

Sonorous materiality of analogue film by Işıl Karataş

Thinkering with the Pathé Baby: Materiality, histories and (re)use of 9.5mm film by Tim van der Heijden & Mirco Santi

Features

Preserving the now!: Mediating memories and archiving experiences in Ukraine by Bohdan Shumylovych, Oleksandr Makhanets, Taras Nazaruk, Natalia Otrishchenko, and Dagmar Brunow

The past is always changing: An interview with Tom Gunning by Malte Hagener and Annie van den Oever

Realism as ontological unrest: Digital aesthetics and reparative dynamics in Mati Diop’s ‘Atlantics’ by Katrin Pesch

Distant reading televised public information: The communication of Swedish government agencies, 1978-2020 by Emil Stjernholm

Dani Gal’s cinematic and activist engagements with Israel/Palestine in Germany by Sharon Zelnick

Audiovisual Essays

          edited by Domietta Torlasco

The impersonal essay, or Montage as memory of the world by Domietta Torlasco  

Song for Earth and Folk (2013, 10:39 min.) by Cauleen Smith

Second Sighted (2014, 5:05 min.) by Deborah Stratman

Parallax Dash (2018, 8:10 min.) by Domietta Torlasco

Most Fabulous Place (2008, 01:12 min.) by Maha Maamoun

Gli anni (The Years, 2018, 20 min.) by Sara Fgaier

Festival Reviews

          edited by Marijke de Valck, Antoine Damiens and Diane Burgess

On greening film festivals: The environmental impact of film festivals and their future design and operation by Marijke de Valck and Ger Zielinski, in conversation with Rachel Dodds, Laura U. Marks, Fabienne Merlet and Amaia Serrulla

The post-pandemic festival: Identity, crisis, and curation at Sheffield DocFest 2022 by Aida Vallejo and Andy Moore

Embracing hybridity beyond the pandemic: The contrasting cases of PÖFF and SGIFF by Eleni Papadopoulou Melea 

Book Reviews

          edited by Victoria Pastor-González and Patricia Nogueira

Absence in Cinema by Tanya Shilina-Conte

Exhibition Reviews

          edited by Miriam de Rosa and Annet Dekker

How to Win at Photography: Image-Making and Play by Peter Buse

The Milk Of Dreams, or The Lukewarm Cup That Puts Commons to Sleep by Marco Baravalle

Documenta Fifteen and Berlin Biennale 12: A comparative review by Agata Mergler

 

 

 

 

 

 

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Norwegian University of Science and Technology

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.

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The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.

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