From 14-15 October 2021, the CERILAC and LARCA research institutes at the Université de Paris, will host ‘The Video Essay’, an online conference on the form and future of videographic criticism. Following an introduction by Diane Arnaud, Ariane Hudelet and our editorial board member Martine Beugnet, the conference features presentations by Catherine Grant (Birkbeck, University of […]
https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2021-10-11 12:32:472021-10-11 12:32:47Virtual Conference – ‘The Video Essay’
https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2021-05-16 16:21:042021-06-10 18:36:12Desktop documentary: From artefact to artist(ic) emotions
One of the most distinguishing characteristics of desktop documentaries is their affordance of making and presenting a video at the same time: i.e., collapsing boundaries between revealing their thinking and tinkering research process (as unfolding, step-by-step, in front of our eyes) and the presentation of the outcomes of such ‘t(h)inkering’ (arriving at results and, thereby, justifying the presented research methods). They are ‘exploratory’ and ‘explanatorily argumentative’ in one. There is a particular effect that emerges from such transparent, credible, and effortless performativity – a relaxed and seemingly spontaneous presentation of an unfolding argument in an environment (software on desktop) and through methods (typing, dragging, opening files) that is familiar and rather natural to all viewers. In this paper, I aim to take a closer look at these fundamental qualities – ‘transparency’, ‘credibility’, ‘effortlessness’, and ‘performativity’ – respectively, and reveal their distinct as well as joint effects, ultimately resulting in what I will call, ‘artist(ic) emotions’.
https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-12-11 19:50:212020-12-14 05:25:14Teaching writing with images: The role of authorship and self-reflexivity in audiovisual essay pedagogy
Methodologies for teaching audiovisual essays often map the discipline-specific objectives of the form and the practical and philosophical advantages it offers as a mode of assessment. However, a particular division has emerged between the kind of work created by students and the professional audiovisual criticism circulated by critics and scholars that is considered exemplary of contemporary practice. In this context, the role of the author as a self-reflexive agent can be seen as a link not only between students’ expectations of traditional written assessment and the fundamentally different imperatives of the audiovisual essay as a subjective mode of creative research, but also between audiovisual essay criticism and historical iterations of the essay form. This article explores the extensive redevelopment of a capstone undergraduate subject on audiovisual film criticism, undertaken via a fellowship awarded to develop teaching innovation and enhance curriculum design. We detail major pedagogical interventions, including a return to writing, examine key motivations in the development of course content, and establish the critical significance of encouraging students to think of themselves as authors – that is, to consider their own agency in the ways they encounter, interpret, and utilise images. Reflecting on some outcomes of the redeveloped subject, we pose it as a test case for a pedagogy that encourages students to think ambitiously with images, dissolving divisions between professional audiovisual criticism and audiovisual essays as a method of assessment. We argue that when thinking with images in this manner is embraced as a component of pedagogical methodology, students’ competencies with images can be leveraged to enable work that is academically rigorous, critically sophisticated, and evinces highly subjective authorial agency.
https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-06-15 10:28:512020-07-29 10:54:29From ‘video essay’ to ‘video monograph’?: Indy Vinyl as academic book
Sarah Barrow argues that the video essay provides a ‘viable alternative to the academic book’. This article explores that claim, considering how a video essay-based project can pursue a single topic in the manner of a monograph. The case study is Indy Vinyl, my collection of video essays and writing about vinyl records in American Independent Cinema. I argue that an approach informed by traditional scholarly values should be augmented by more exploratory thinking, when moving from written to practice-based forms of film criticism.
https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-07-24 11:20:382019-07-24 11:20:38The Videographic Essay – Revised and expanded edition
The book The Videographic Essay: Criticism in Sound and Image, written by Christian Keathley (Middlebury College), Jason Mittell (Middlebury College), and Catherine Grant (Birkbeck, University of London) has been made available in a revised and expanded edition by caboose books within its Kino-Agora book series. Developed from a workshop held at Middlebury College in 2015, […]
https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-11-23 17:12:112018-12-12 07:56:53Videographic scene analyses, part 2
by Miklós Kiss As guest editor, my focus for the audiovisual essay section of the Spring and Autumn 2018 issues of NECSUS is original scene analyses as examples of autonomous and explanatorily argumentative videographic criticism. I aimed to inspire the making of videographic works that provide ‘straightforward close analyses of specific scenes of movies – […]
https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Jeroen Sondervan https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Jeroen Sondervan2017-05-28 13:24:332020-11-03 14:53:41Taking stock: Two decades of teaching the history, theory, and practice of audiovisual film criticism
by Michael Witt Introduction Recent years have seen rapid growth in the use of the digital audiovisual essay in teaching and research, including in film and screen studies. This phenomenon has been fuelled by a number of interrelated developments: easier access to copies of films; increased availability of domestic computers and digital editing software; the […]