by Jennifer O’Meara This article will identify and historicise gestural trends in ASMR (Autonomous Sensory Meridian Response) videos on the social media site Instagram, where media objects foregrounding touch and texture are shared via specialist accounts and hashtags such as #satisfyingvideos and #slimeasmr. Released initially for the iPhone on 6 October 2010, Instagram (owned by […]
by Chang-Min Yu Will images created from this optical system, this kind of robot-brain that is the cinematographic apparatus, have as great an influence upon the evolution of culture and civilization? – Jean Epstein, The Intelligence of a Machine In HBO’s new hit series Westworld (2016), one character claims that ‘our hosts began to pass […]
by Lorenz Engell This article is motivated by the experience of the traditional television user. The experience of television is (at least in one of its dominant forms), as everyone can assert, and as Raymond Williams marvelously described it, one of a medium state between day and night, sea and land, closeness and distance, consciousness […]
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Ilona Hongisto
University of Helsinki
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Maria A. Velez-Serna
University of Stirling
Andrea Virginás
Babeș-Bolyai University
We would like to thank the following institutions for their support:
NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.
Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.
Download
The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.