On 16 March 2021, the Artistic Research Group at Kristiania University College in Oslo, Norway, will be hosting an online symposium dedicated to artistic research. Structured around the theme ‘Distorted Identities/New Dilemmas’, the symposium assesses how artistic expressions can reflect on the current debates surrounding the explorations of personal and societal identities. With the aim […]
On 11 September 2020, the one-day symposium ‘Archives for Education: Opening up the Archives to Young Filmmakers’, hosted by the Kingston School of Art, will explore the creative and learning opportunities creative reuse can offer to young filmmakers. At the same time, the symposium functions as a reflection after the first year of the “Archives […]
The previously postponed film and television studies symposium ‘Genre/Nostalgia’ has announced a new date and deadline for submissions: The one-day symposium, hosted by the University of Hertfordshire, will take place on 6 January 2021, and explore the relationship and interaction between film and television genres and nostalgia, memory and other manifestations of the past. Potential […]
Organised by Dr Kamila Kuc and Dr Miriam de Rosa. Chaired by Dr Janneke Adema. Date: 15 March 2017 Venue: Coventry Transport Museum, Starley Suite. Time: 10.00-16.00 Concept This symposium takes as its starting point Kamila Kuc’s latest book Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism (Bloomington: Indiana University Press, 2016), which argues for the […]
A symposium on aesthetics and political forms, Friday, 3 March 2017, 13.30h, NYU-Prague We live in strange times. Isis, an international terrorist organization, uses kitten pictures to soften its public image. A right wing ideologue rises to the U.S. presidency via Twitter, a media platform that miniaturizes public speech and thrives on one liners. Meanwhile, […]
The symposium Dynamics of Global Cinema: Peripheries, Infrastructure, Circulation will address a range of issues that touch on matters of cinematic transnationalism, the national, the supra- and sub-national, composite film cultures, infrastructure (including production base, financing, capital, markets, co-production, policy), circulation (including distribution, diasporic channels, on-line channels, film festivals, but also migrations and resources), mode of […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London