‘The refugee is … FOOD FOR BIOPOLITICS’: Critical knowledgescapes in Ursula Biemann’s ‘Contained Mobility’ and ‘X-Mission’
by Ljudmila Bilkić A modern political coda [refugees, constructed] A full-screen, single drone shot of an airport. Accurate black markings on the runway and taxiways suggest calculated bombardments. The phrase ‘Afghanistan 1987’ rapidly moves from right to left in the middle of the frame while ‘Afghanistan 1989’ appears in larger font underneath. The following subtitles […]