Siegfried Kracauer’s affinities

by Thomas Elsaesser The five affinities…with photography? In Siegfried Kracauer’s Theory of Film, under the rubric of ‘general characteristics’ of the medium, there is a section called ‘Inherent Affinities’.[1] It follows two sections where Kracauer discusses the recording function and the revealing function – two of the vectors along which Kracauer conducts his theory of […]