by Adrian Martin 1. Some directors flirt with it at the beginning of their careers and then quickly move on, never to return, like Jacques Rozier after Blue Jeans (1958) and Paparazzi (1964). Some dwell there secretly, making a spin-off of their better-known productions, like François Truffaut putting together a little poem about planes launching […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Belén Vidal
King’s College London
Andrea Virginás
Sapientia University