The beauty of the act: Figuring film and the delirious baroque in ‘Holy Motors’
by Saige Walton To the intuition of an unstable and moving world, of a multiple and inconstant life, hesitating between being and seeming, fond of disguise and of theatrical representation, there correspond, on the expressive and structural level, a rhetoric of metaphor and trompe l’oeil, a poetics of surprise and variousness, and a style of […]