This first part of a two-part issue on sound and music in the audiovisual essay considers the contribution of discrete areas of sound and music to film. Presenting these different approaches to researching sound and music provides an opportunity to collectively investigate the integrated soundtrack.
by Evelyn Kreutzer In this audiovisual study, I look at music-performative gestures of ‘fetishisation’. Against the backdrop of the mid-century celebrity conductor figure, as well as larger historical discourses around mediated music consumption, I focus on two conductors in two films, which draw on the same musical composition: Disney’s Fantasia (1940) and Hugo Niebling’s Pastorale […]
by Will Brooker and Rebecca Hughes Brooker This film documents a project that began when a musical hero and cultural icon of mine died. Lou Reed passed away in October 2013, which made me realise I should celebrate one of my other heroes, David Bowie, while he was still alive. My way of paying tribute […]
The trilingual (French-Spanish-English) international conference Songs in European and Latin American Cinemas (1960-2010) gathers European and Latin American specialists around this rarely-discussed theme. The conference is the result of a collaboration between Free University of Brussels (ULB), Catholic University of Louvain (UCL), University of Buenos Aires (UBA), and the Belgian Film Archive (Cinematek). It will […]
The Department of British Studies at the University of Debrecen (Hungary) is hosting the conference Popular Music in Eastern Europe on 2-3 June 2016. Papers are invited that discuss all aspects of popular music in Eastern Europe (excluding Russia), particularly pop-rock during the period of state socialism and postcommunism, including its political dimensions, relationship with music produced […]
by Anne Kustritz [1] Lady Gaga’s rise to fame in the wake of the global financial crisis highlights the contradictions of late late capitalism in both the financial sector and the music industry. Both Gaga and second level economic units like derivatives rely on deferral, parody, and an ever-widening gap between the material and the […]
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Ilona Hongisto
University of Helsinki
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Maria A. Velez-Serna
University of Stirling
Andrea Virginás
Babeș-Bolyai University
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