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Tag Archive for: Melbourne

Racial phantasmagoria: The demonisation of the other in Richard Mosse’s ‘Incoming’

November 23, 2018/in Autumn 2018_#Mapping, Exhibition Reviews, Reviews /by Greg DeCuir

Richard Mosse’s Incoming (2014-17) is a large-scale video installation mapping the flow of refugees displaced by the Syrian Civil War, shown last spring at the National Gallery of Victoria’s Triennial in Melbourne, Australia. The National Gallery is one of the largest museums in the country and its inaugural Triennial seeks to survey the international world […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-11-23 17:28:322018-12-11 08:39:30Racial phantasmagoria: The demonisation of the other in Richard Mosse’s ‘Incoming’

Virtual futures and cinematic pasts at the 65th Melbourne International Film Festival

December 4, 2016/in Autumn 2016_#Home, Festival Reviews, Reviews /by Greg DeCuir

The annual Melbourne International Film Festival (MIFF) ranks among the oldest film festivals in the world. Launched in 1952 by enthusiasts seeking to watch films that were otherwise unavailable in Australia, MIFF emerged as one of the earliest examples of audience-driven film festivals in the world. From a modest program of 8 feature films and […]

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Paratheatre by Martin and Álvarez López

August 8, 2014/in News /by Greg DeCuir

The Melbourne International Film Festival has commissioned a video essay series by Adrian Martin and Cristina Álvarez López titled Paratheatre – Plays Without Stages. This commission coincides with the festival’s special screening of Jacques Rivette’s 13-hour Out 1 – Noli me tangere (1971). Martin and Álvarez López have also published a written text-based essay on Paratheatre, […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2014-08-08 10:12:252014-08-08 10:12:25Paratheatre by Martin and Álvarez López

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Belén Vidal
King’s College London

Andrea Virginás 
Sapientia University

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