Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production
by Laura Sharp [T]he frame refers to what is around the frame – a spatially and temporally contiguous ‘unseen’ that may, in its turn, subsequently enter the frame and so become actualized as a seen/scene… The essential thing about film, then, is not the framed image, but that which comes between the frames: the cut.[1] […]