The exhibition Liquid Spaces: Politics of the Screen, curated by Doreen A. Ríos for the Bienal Universitaria de Arte Multimedial (BUAM) in Ecuador, delves into the dynamic nature of environments shaped by digital technologies. Underscoring the complexities of screen interfaces and their societal implications, Ríos explores the concept of ‘liquid spaces’, where boundaries blur and definitions remain elusive, reflecting perpetual change. Set within the Latin American context, the artworks address themes such as extractivism, surveillance, and technocapitalism. The exhibition features a diverse range of artworks, including painting and virtual reality, through which the relationship between the body and the screen is discussed, while highlighting audience engagement and interaction as integral components of the viewing experience. Drawing from her previous curatorial endeavors, in an interview with Annet Dekker, Ríos reflects on the transformative influence of screens on perceptions and realities, suggesting that screens serve as modern oracles and their users as potential shamans navigating the digital landscape.