by James Zborowski As part of her ‘attempt to establish the specificity of contemporary [lifestyle] programmes’[1] on British television, Charlotte Brunsdon identifies ‘a changing grammar of the close-up’[2] as an important element of what she argues is a tendency for these programmes to offer melodrama rather than realism.[3] Brunsdon argues that in the preceding ‘hobby’ […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Belén Vidal
King’s College London
Andrea Virginás
Sapientia University