Feminist film studies 40 years after ‘Visual Pleasure and Narrative Cinema’, a triologue
by Laura Mulvey, Anna Backman Rogers, and Annie van den Oever Forty years after the publication of her seminal essay ‘Visual Pleasure and Narrative Cinema’ in Screen, Laura Mulvey, together with Anna Backman Rogers, has edited Feminisms: Diversity, Difference, and Multiplicity in Contemporary Film Cultures (Amsterdam University Press, 2015), which is the latest instalment of […]