In search of Godard’s ‘Sauve la vie (qui peut)’
by Michael Witt This article examines a little-known experimental compilation film that Jean-Luc Godard constructed and showed within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981.[1] In February 1981, during the 10th edition of the International Film Festival Rotterdam (Film International 1981),[2] his film Sauve qui […]