by Michael Witt This article examines a little-known experimental compilation film that Jean-Luc Godard constructed and showed within the framework of a series of lectures on cinema history that he delivered in Rotterdam in 1980-1981.[1] In February 1981, during the 10th edition of the International Film Festival Rotterdam (Film International 1981),[2] his film Sauve qui […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Belén Vidal
King’s College London
Andrea Virginás
Sapientia University