by Judith Keilbach and Linda Kopitz Lisa Parks is Distinguished Professor of Film and Media Studies at the University of California at Santa Barbara and Director of the Global Media Technologies and Cultures Lab, which explores uses of media technologies – from satellites to television and mobile phones – in diverse international contexts. Her work […]
Introducing and contextualising the contributions to the thematic section on ports, we discuss the conceptual and empirical productivity of the port for media research. As material infrastructures, ports mediate between land and sea, nature and culture, centres of power and colonised/extracted peripheries. As logistic nodes, ports connect transport and communication, technological innovation and revolutionary agency. Their ambivalent and managed visibility makes ports an intriguing motif of media representations that is harnessed for dramatic narratives, cognitive mapping of capitalism, or for city branding. As such ports help to rethink ideas about the relationship between material and symbolic aspects of mediation, between technological innovation and cultural heritage, between metaphorical and literal media ecologies.
by María Vélez-Serna and Markus Stauff Any discussion of ports from a media studies perspective needs to take into account their complex and layered reality: the location, the function, and the visibility of ports result from and produce conflicting layers of geopolitical, infrastructural, legal, and economic dynamics. To integrate at least some aspects that might […]
This article analyses cinematic exposition of aeriality in empire documentaries and avant-garde cinema from the interwar period to interrogate cinema as infrastructure, its weaponisation and deployment in the imperial project, and its convergence with aerial infrastructure which united the perception of Empire with the experience of modernity. I argue that the use of aeriality in the aestheticisation of infrastructures in avant-garde films like De Brug (Joris Ivens, 1928) and La Tour (Rene Clair, 1928) cannot be divorced from the ideology that is on overt display in Empire aviation documentaries such as Wings over Everest and Contact.
The twenty-first century proliferation of digital infrastructures marks the simultaneous hyperinflation and the abolition of the concept of the medium. In this seminar we examine the changing role of infrastructures, place-making, and culture in the production of environmental media configurations as space and platforms. The seminar itself is conceived as a platform to create connections […]
by Geert Lovink Unlike predictions, ‘networks’ are on their way out. The reason for this is the unprecedented concentration of money, power, and infrastructures in the hands of a few monopoly players. Instead of ‘social networks’ we speak of ‘social media’, and that is no coincidence. In fact, ‘network theory’ has followed this trend for […]
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Ilona Hongisto
University of Helsinki
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Maria A. Velez-Serna
University of Stirling
Andrea Virginás
Babeș-Bolyai University
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NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.
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