by Francesco Pitassio As part of the series of conversations NECSUS has published with prominent scholars (see those with David Bordwell, Ian Christie, Richard Dyer, Anton Kaes, Laura Mulvey, and Vivian Sobchack), we spoke with Pierre Sorlin on his groundbreaking work in film and media studies. Educated as a historian, and working on interdisciplinary subjects […]
by Adam Wickberg Introduction By 1570 the Spanish empire under the reign of King Philip II had already ruled the part of Central America known as New Spain for half a century. The famous conquistadors like Hernán Cortés and Christopher Columbus were dead and gone, but stories of their great fortune were very much alive […]
The Historical Institute/Center for Contemporary and Digital History at University of Luxembourg has obtained a large grant from the Fonds National de la Recherche Luxembourg, enabling the creation of a Doctoral Training Unit (DTU) and opening up 13 positions for PhD students (doctoral candidates) in the field of digital history and hermeneutics. Visit the website for […]
The task of writing the history of the avant-garde cannot be considered an easy one. The term ‘avant-garde’ itself is in many ways problematic. Because of its intrinsic antagonism in regard to tradition, the concept of the avant-garde can appear as an attempt to break with the entire heritage of art history, or at least […]
by Casper Tybjerg The word ‘psychedelic’ was coined in the 1950s by psychiatrist Humphry Osmond to describe hallucinogenic drugs like mescaline and LSD – but this essay will not be about either the history of ‘head’ films or how to write film history on acid. What I want to do is to show what film […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London