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Tag Archive for: Harun Farocki

TELEKRITIK: Über Song of Ceylon

December 7, 2017/in Audiovisual Essays, Autumn 2017_#Dress

Director: Harun Farocki First broadcast: 7 October 1975 Depending on how you count, Harun Farocki’s 30-minute analysis of Basil Wright’s The Song of Ceylon was either the third or the fourth program the director realised for the Telekritik series at WDR. In 1973, his The Trouble with Images (1973) had provoked heated debates within the […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2017-12-07 00:19:032017-12-11 09:00:39TELEKRITIK: Über Song of Ceylon

House Arrest

December 4, 2016/in Audiovisual Essays, Autumn 2016_#Home

by Domietta Torlasco I have always been interested in doing what Godard once described as ‘research in the form of a spectacle’. Even in my writing, I begin by collecting images and quotes, treating the latter as passages (walkways), visible points of entry into a world (of ideas) that for me always maintains a sensorial, […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2016-12-04 21:16:462016-12-04 21:17:11House Arrest

Serious games

December 4, 2014/in Autumn 2014_'War'

by Harun Farocki In the summer of 2008 my collaborator Matthias Rajmann sent me a newspaper clipping. Traumatised U.S. troops returning from combat are treated with video games. In therapy they watch virtual scenarios that simulate some of the situations they experienced in Iraq. The idea is that the virtual images will help the soldiers […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2014-12-04 00:05:162015-01-06 02:53:27Serious games

Harun Farocki, 1944-2014

July 31, 2014/in News

The esteemed German film and video artist Harun Farocki has passed away at the age of 70. His formidable career in cinema began in the 1960s and included work as a journal editor and a professor. Farocki’s works of art, whether in the cinema, the gallery, or other settings, were often radical in form and […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2014-07-31 20:54:102014-07-31 20:54:10Harun Farocki, 1944-2014

Poetics and politics of the trace: Notes on surveillance practices through Harun Farocki’s work

June 13, 2014/in Spring 2014_'Traces'

by Miriam De Rosa Found footage and archive images, split-screen or a multiplication of the image on screen, a replacement of the original soundtrack with commentary, a detached voice-over alternating long/silent sequences, an explanatory use of info-graphics and tracking technologies. These elements feature in Harun Farocki’s work on surveillance – work ranging from documentary films […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2014-06-13 23:56:482014-06-25 14:47:09Poetics and politics of the trace: Notes on surveillance practices through Harun Farocki’s work
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University of Arts Belgrade

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Universiteit Utrecht

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Norwegian University of Science and Technology

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University of Amsterdam

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