Narrating the ‘Eternal City’ in ‘La Dolce Vita’ (1960) and ‘La Grande Bellezza’ (2013)
by Temenuga Trifonova Numerous studies have demonstrated the importance of the city and the moving image to the modern urban imaginary: one need only recall Anne Friedberg’s illuminating account, in Window Shopping: Cinema and the Postmodern (1994), of the ways in which 19th century visual experiences like photography, urban strolling, panoramas, and dioramas anticipated cinema, […]