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Tag Archive for: embodiment

New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0

July 6, 2020/in Features, Spring 2020_#Intelligence

This paper discusses smartphone spectatorship with a focus on user participation, interactivity, and the fusion of digital media and moving images. In the renaissance of mobile filmmaking and participatory culture, there is no longer a definite difference in the quality of cinema and mobile media tools. Instead, users’ embodied and social presences define the framework of viewing and production. By reflecting on the sovereignty of smartphone film culture, this paper highlights the behavioural and cultural trajectories of mobile movie consumption, where content access merges with content production.

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2020-07-06 12:20:272020-07-14 14:24:01New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0

Selfie-screen-sphere: Examining the selfie as a complex, embodying gesture

December 21, 2019/in Autumn 2019_#Gesture

by Darren Gary Berkland  Introduction In Bo Burnham’s film Eighth Grade (2018) screens become the lifeworld[1] of the film’s protagonist, Kayla (portrayed by Elsie Fisher). Kayla is a thirteen-year-old on the cusp of adolescence who is navigating the tribulations of the final stages of middle school. Her life is going through several transitions, and the […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-12-21 16:39:302019-12-21 16:39:30Selfie-screen-sphere: Examining the selfie as a complex, embodying gesture

Episodes of depression: Existential feelings and embodiment in ‘Sharp Objects’

May 27, 2019/in Spring 2019_#Emotions

by David Evan Richard Introduction This article suggests that the HBO recent limited television series Sharp Objects (created by Marti Noxon, 2018) invites spectators to temporarily inhabit the world of the depressed. Based on the novel by Gillian Flynn, Sharp Objects is directed by Jean-Marc Vallée, whose previous Big Little Lies (HBO, 2017-) similarly examined […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2019-05-27 11:44:472019-05-27 11:44:47Episodes of depression: Existential feelings and embodiment in ‘Sharp Objects’

Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production

December 9, 2018/in Autumn 2018_#Mapping

by Laura Sharp [T]he frame refers to what is around the frame – a spatially and temporally contiguous ‘unseen’ that may, in its turn, subsequently enter the frame and so become actualized as a seen/scene… The essential thing about film, then, is not the framed image, but that which comes between the frames: the cut.[1]  […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-12-09 21:37:242018-12-19 18:45:23Embodied cartographies of the unscene: A feminist approach to (geo)visualising film and television production

Redressing perspectives: Mediation, embodiment, and materiality in digital fashion and smart textiles

December 6, 2017/in Autumn 2017_#Dress

by Frances Joseph Introduction While the shift from mechanical to digital textile technologies has led to new systems of manufacturing and distribution such as ‘on demand’ production, new hybrid forms of textile and digital technologies have given rise to distinctive new mediums including smart textiles and digital fashion. These areas overlap with the field of […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2017-12-06 22:57:452017-12-06 22:57:45Redressing perspectives: Mediation, embodiment, and materiality in digital fashion and smart textiles
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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

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