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Tag Archive for: digital media

The filmmaker as Instagram auteur: A case study on Claire Denis

June 18, 2022/in Features, Spring 2022_#Rumors /by Greg DeCuir

In this article I propose further inclusion of auteurs’ Instagram profiles within contemporary auteurism. Examining selected auteur profiles, I trace aesthetic and commercial tendencies. I compare the forms of film and Instagram, connecting this to Lev Manovich’s research and Timothy Corrigan’s ‘commerce of auteurism’. Instagram’s individualism extends Alexandre Astruc’s caméra-stylo theory. My case study is Claire Denis’ profile. I argue that her posts share aspects with her filmic ‘corpus’, like fragmentation and transience. Her profile has thus far expressed an anti-promotional stance, a distinctive design aesthetic, and the highly autobiographical part of her ‘work’ is indicative of Instagram’s authorial potential for filmmakers. 

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-06-18 15:55:112022-06-19 10:57:27The filmmaker as Instagram auteur: A case study on Claire Denis

Lecture Series – ‘Digital Delights and Disturbances’

March 9, 2022/in News /by Greg DeCuir

The recurring lecture series ‘Digital Delights and Disturbances’ hosted by John Cabot University, Rome, features leading scholars, artists, and mediamakers to discuss big data, artificial intelligences and algorithmic prediction from a variety of perspectives. On 10 March, Felix Stalder, Geraldine Juàrez, Andrea Baronchelli explore the technopromises of a blockchain future and culture in their lecture […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-03-09 14:21:212022-03-09 14:21:21Lecture Series – ‘Digital Delights and Disturbances’

Intermediality Now, call for papers

April 10, 2018/in News /by Greg DeCuir

Conference INTERMEDIALITY NOW: REMAPPING IN-BETWEENNESS International film and media studies conference organized by the Sapientia University in Cluj-Napoca (Romania) Conference date: 19-20 October, 2018 Deadline for proposals: June 30, 2018 Connected to our new exploratory research project Rethinking Intermediality in Contemporary Cinema: Changing Forms of In-Betweenness funded by the UEFISCDI, and following up on the topics of our previous […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2018-04-10 14:43:422018-04-10 14:43:42Intermediality Now, call for papers

Cinema’s Turing test: Consciousness, digitality, and operability in ‘Hardcore Henry’

June 3, 2017/in Spring 2017_#True /by Greg DeCuir

by Chang-Min Yu Will images created from this optical system, this kind of robot-brain that is the cinematographic apparatus, have as great an influence upon the evolution of culture and civilization? – Jean Epstein, The Intelligence of a Machine In HBO’s new hit series Westworld (2016), one character claims that ‘our hosts began to pass […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2017-06-03 10:37:332017-06-03 10:37:33Cinema’s Turing test: Consciousness, digitality, and operability in ‘Hardcore Henry’

Reconfiguring film studies through software cinema and procedural spectatorship

December 2, 2014/1 Comment/in Autumn 2014_'War', Features /by Greg DeCuir

by Marina Hassapopoulou Introduction The increasing use of software and database aesthetics in film and video production has created hybrid modes of spectatorship by altering the dynamic between media production and reception. The reduction in the degree and compass of authorial control invites us to reconsider existing models of cinematic spectatorship and narration within new […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2014-12-02 22:55:132015-08-21 10:17:59Reconfiguring film studies through software cinema and procedural spectatorship

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Belén Vidal
King’s College London

Andrea Virginás 
Sapientia University

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