by Ian Garwood ‘The Place of the Pop Song in Academic Audiovisual Film and Television Criticism’ contributes to a discussion about the use of the pop song in the scholarly audiovisual essay, an area of videographic practice that has inspired scant self-reflection to date. The video operates in an explanatory mode, so I will allow […]
by Miklós Kiss As guest editor, my focus for the audiovisual essay section of the Spring and Autumn 2018 issues of NECSUS is original scene analyses as examples of autonomous and explanatorily argumentative videographic criticism. My aim was to inspire the creation of videographic works that provide straightforward close analyses of specific scenes of movies […]
by Ian Garwood The line between academic and non-scholarly videographic film criticism The production of The Place of Voiceover in Academic Audiovisual Film and Television Criticism (2016) coincided with the release of two books focused on videographic film studies: The Videographic Essay – Criticism in Sound and Image, edited by Christian Keathley and Jason Mittell;[1] […]
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Ilona Hongisto
University of Helsinki
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Norwegian University of Science and Technology
Toni Pape
University of Amsterdam
Maria A. Velez-Serna
University of Stirling
Andrea Virginás
Babeș-Bolyai University
We would like to thank the following institutions for their support:
NECS–European Network for Cinema and Media Studies is a non-profit organization bringing together scholars, archivists, programmers and practitioners.
Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.
Download
The online repository media/rep/ provides PDF downloads to aid referencing. Volumes are also indexed in the DOAJ. Please consider the environmental costs of printing versus reading online.