The early 21st century has been witnessing extraordinary changes in digital media technologies that transformed the means of production and reception of screen narratives. Industrial shifts and an increasing use of the Internet enabled media companies to circulate their content globally and across a range of channels and platforms. This in turn gave more control […]
by Marina Hassapopoulou Introduction The increasing use of software and database aesthetics in film and video production has created hybrid modes of spectatorship by altering the dynamic between media production and reception. The reduction in the degree and compass of authorial control invites us to reconsider existing models of cinematic spectatorship and narration within new […]
by Ginette Verstraete Introduction In June 2007 Apple introduced its first generation iPhone, which proved the beginning of a very successful new line of smartphones. At that time smartphones were no more than a convergence of telephones and personal digital assistants produced by Nokia and Sony in Europe, NTT DoCoMo in Japan, and Blackberry in […]
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Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Malte Hagener
Philipps-University Marburg
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Francesco Pitassio
University of Udine
Belén Vidal
King’s College London