by Lidia Merás and Sarah Wright Introduction In 1959, in his first film without Emeric Pressburger since the global success of their collaborative smash The Red Shoes (1948), Michael Powell released Honeymoon (Luna de miel), designed to be a ‘Spanish Red Shoes’. Although the film won the Technical Grand Prize at the Cannes Film Festival […]
Martine Beugnet
University of Paris 7 Diderot
Greg de Cuir Jr
University of Arts Belgrade
Ilona Hongisto
University of Helsinki
Judith Keilbach
Universiteit Utrecht
Skadi Loist
Film University Babelsberg Konrad Wolf
Toni Pape
University of Amsterdam
Maria A. Velez-Serna
University of Stirling
Andrea Virginás
Babeș-Bolyai University
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