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Tag Archive for: analogue

On #Materiality

December 13, 2022/in Autumn 2022_#Materiality, Festival Reviews, Reviews

The discussion of media often meanders between the way media objects are perceived as written texts, projected audiovisual messages, or recorded music on the one hand and material objects on the other. Materiality in the sense of physical matter is considered multi-sensory and in a direct relation to the perceiving body, traditionally – particularly in the arts – associated with processes of valorisation as in the term and concept of ‘aura’. But media studies have long established perspectives beyond simple notions of matter. Even light, sound, and energy have entered the discourse, and materiality can be traced in any and all understandings of media. This special section brings together some of the latest post-digital perspectives on the long-standing discussion of materiality in our ever-changing media landscapes. The contributions represent today’s broadness of the field and discourse, connecting media from their analogue pasts to their materially ambiguous futures.

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2022-12-13 11:43:162022-12-14 14:30:54On #Materiality

Retro, faux-vintage, and anachronism: When cinema looks back

December 5, 2015/in Autumn 2015_'Vintage'

by Stefano Baschiera and Elena Caoduro The vintage style, the reproduction and reclamation of past fashions, original objects, and old looks, is a highly commoditised phenomenon. Though its contemporary meaning developed with the second-hand clothing trend in the late 1980s, vintage has become mainstream in the early 21st century and has expanded beyond the fashion […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2015-12-05 00:46:152015-12-06 00:23:23Retro, faux-vintage, and anachronism: When cinema looks back

Locating vintage

December 3, 2015/in Autumn 2015_'Vintage'

by Kim Knowles – She said I looked like a 1950s housewife – Well your dress is slightly anachronistic – What? It’s vintage I’ll have you know! – I know, but being vintage doesn’t make it attractive. During a party scene in Xavier Dolan’s film Les Amours Imaginaires / Heartbeats (2010) the two twenty-something characters […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2015-12-03 00:56:232015-12-03 00:56:23Locating vintage

A theoretical approach to vintage: From oenology to media

November 29, 2015/in Autumn 2015_'Vintage'

by Katharina Niemeyer Research on vintage as both a term and a concept and its historical emergence in the field of fashion and flea markets in Europe and the United States is already well-established, particularly regarding the subcultural nature of vintage, its relation to hipsters, the difference between vintage and second-hand clothes, and its identification […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2015-11-29 19:46:282015-12-03 18:47:37A theoretical approach to vintage: From oenology to media

‘The Last Ray of the Dying Sun’: Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM

November 22, 2012/in Autumn 2012_'Tangibility'

by Caylin Smith Regarding FILM, an installation that took place from 11 October 2011 to 11 March 2012 as part of Tate Modern’s Unilever Series, the artist Tacita Dean remarks that ‘it is a platform for me to say let’s protect film’.[1] Dean’s simple, bold statement will allow me to expand upon the importance of […]

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https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png 0 0 Greg DeCuir https://www.necsus-ejms.org/wp-content/uploads/Necsus-01.png Greg DeCuir2012-11-22 22:26:562012-11-22 22:26:56‘The Last Ray of the Dying Sun’: Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
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Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Ilona Hongisto
University of Helsinki

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Maria A. Velez-Serna
University of Stirling

Andrea Virginás 
Babeș-Bolyai University

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