by Ilona Hongisto This essay is motivated by a desire to enliven established notions of documentary cinema. In part a response to the genre’s ever-expanding field of operations, the aspiration stems above all from the observation that the indexical and the representational are not enough to account for the work of documentary cinema in the … Continue reading Sweeping changes in Eastern Europe: The documentary frame in Gerd Kroske’s ‘Kehraus’ trilogy (1990-2006)