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You are here: Home1 / Journal2 / Spring 2022_#Rumors

Editorial NECSUS

Special section: #Rumors

edited by Nicholas Baer and Maggie Hennefeld

Guest Editorial All the Rumors Are True by Nicholas Baer and Maggie Hennefeld

Vintage furniture: The significance of the casting couch as industry gossip and rumor by Kate Fortmueller

Gossip’s ephemeral longevity: Power, circulation, and new media by Bethany E. Qualls

Anger management, or the dream of a falsifiable film-historical past by Mark Lynn Anderson

The machine that makes gossip: Andy Warhol’s ‘Screen Test’ of Marcel Duchamp by Mal Ahern

Against the tyranny of the fact: Autofabulation as a queer strategy of resistance by Benoît Loiseau

Truth and truths-to-come: Investigating viral rumors in ‘Q: Into the Storm’ by Renée Pastel and Michael Dalebout

‘I’m not a racist . . . but’: Conservative media and the plasticities of color-blind racism by Scott Krzych

Anonymous, QAnon, Tik-tok teens, K-pop fans by Michelle Cho

#Rumors: A Roundtable Discussion with Mladen Dolar, Richard Dyer, Alexandra Juhasz, Tavia Nyong’o, Marc Siegel, and Patricia Turner

Features

Uncanny sounds and the politics of wonder in Christian Petzold’s ‘Undine’ by Pauline Greenhill and Mai Nguyen

Inhabited stories: An enactive media archaeology of virtual reality storytelling by Giuseppe Gatti

The filmmaker as Instagram auteur: A case study on Claire Denis by Cáit Murphy

Screen decorum: Silent Hollywood and neoclassical concepts of acting by Doron Galili

Audiovisual Essays

Sound and the audiovisual essay, part 2: The theory, history, and practice of film sound and music in videographic criticism by Liz Greene

Synced by Johannes Binotto

The place of the pop song in academic audiovisual film and television criticism by Ian Garwood

‘Le Plaisir’: Voices and viewpoints by John Gibbs and Douglas Pye

Irresistible instrumentalism: Materially thinking through music-making in the story worlds of silent films by Catherine Grant

The gravity of the acousmêtre: Listening via the radio and through paratext in film by Liz Greene

Festival Reviews

          edited by Marijke de Valck and Antoine Damiens

Mirror, mirror on the wall: AKS International Minorities Festival Pakistan 2021 by Siddart Chadha

Film festivals and market intelligence: From audience surveys to data analytics? by Roderik Smits

RIDM 2021: Act local, think global by Justine Pignato

Book Reviews

          edited by Lavinia Brydon and Victoria Pastor-González

Itineraries of walking and footwear on film by Asli Ozgen-Tuncer

The form and technology of videographic cinema by Irina Trocan

Exhibition Reviews

          edited by Miriam de Rosa 

Enfin le Cinéma! Arts, images et spectacles en France 1833-1907 by Stéphanie Louis by Stéphanie Louis

Monument Palimpsest: Excavating the visions of the empire by Madalena Miranda

 

 

 

 

 

 

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Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS

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The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Belén Vidal
King’s College London

Andrea Virginás 
Sapientia University

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Call for audiovisual proposals: #Cycles

December 22, 2022

Conference – NECS Conference 2023 ‘Care’ call for papers online

December 6, 2022

CfP – Autumn 2023_#Cycles

October 11, 2022

Lecture – NECS Online Lecture Series with Miriam De Rosa

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