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You are here: Home1 / Journal2 / Spring 2021_#Solidarity
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Features

Editorial NECSUS

Tokyo drifters: The negotiation and regulation of generational precarity in ‘Terrace House’ by Faye Mercier

Gentrification by genre? The Berlin rom-com by Kim Wilkins

Narrating the ‘Eternal City’ in ‘La Dolce Vita’ (1960) and ‘La Grande Bellezza’ (2013) by Temenuga Trifonova

Workshop of Potential Scholarship: Manifesto for a parametric videographic criticism by Alan O’Leary

Desktop documentary: From artefact to artist(ic) emotions by Miklós Kiss

Shot and never seen again: Videotapes as waste and merchandise in post-socialist Romania by Jonathan Larcher

Special section: #Solidarity

Live-streaming for frontline and distant witnessing: A case study exploring mediated human rights experience, immersive witnessing, action, and solidarity in the Mobil-Eyes Us project by Sam Gregory

Sensations and solidarity: Affect, ambience, and politics in digital literary narratives by Shweta Khilnani

Co-creation as im/mediate/d caring and sharing in times of crises: Reflections on collaborative interactive documentary as an agile response to community needs by Sandra Gaudenzi, Jasmin Kermanchi, and Anna Wiehl

Living whose best life? An intersectional feminist interrogation of postfeminist #solidarity in #selfcare by Brianna Wiens and Shana MacDonald

The Interdependence of Care: A Conversation with The Care Collective by Linda Kopitz

Festival Reviews

          edited by Marijke de Valck and Antoine Damiens

The 2020 Boston Latino International Film Festival: Continuing the fight for social justice virtually by Michelle Leigh Farrell

Nearby the Festival International du Film Documentaire de Saint-Louis: Rethinking proximity in times of COVID-19 by Laura Feal and Estrella Sendra

The Human Rights Film Network: Festival resilience in the time of Covid-19 by Mariagiulia Grassilli and Alexandra-Maria Colta

One World Human Rights Documentary Film Festival: Limits of (de)centralised management during the pandemic by Petra Jansa

Porn film festivals during pandemic times: San Francisco PornFilmFestival and UNCENSORED in lockdown by Esther Moreno Morillas

Book Reviews

          edited by Lavinia Brydon and Victoria Pastor-González

Queering film festival studies by Chris Berry 

Uncovering in-betweens: On photochemical practices and handmade cinema by Melinda Blos-Jáni

Defining the high and the low of audiovisual images: Contemporary approaches by Alena Strohmaier

Exhibition Reviews

          edited by Miriam de Rosa and Leo Goldsmith

Post-cinematic spectatorship in virtual reality: Negotiating 3DoF and 6DoF in ‘Queerskins: Ark’ by Maud Ceuterick

Turtles all the way down: The Daata Art Fair by Kevin Walker

Surveillance, bias, and healing through re-articulation: An interview with Paula Albuquerque on her recent solo exhibition in Amsterdam by Astrid Korporaal

 

 

 

 

 

 

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Partners

We would like to thank the following institutions for their support:

  • European Network for Cinema and Media Studies (NECS)
  • Further acknowledgements →

Publisher

NECS

Access

Online
The online version of NECSUS is published in Open Access and all issue contents are free and accessible to the public.

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Editorial Board

Martine Beugnet
University of Paris 7 Diderot

Greg de Cuir Jr
University of Arts Belgrade

Judith Keilbach
Universiteit Utrecht

Skadi Loist
Film University Babelsberg Konrad Wolf

Toni Pape
University of Amsterdam

Belén Vidal
King’s College London

Andrea Virginás 
Sapientia University

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December 22, 2022

Conference – NECS Conference 2023 ‘Care’ call for papers online

December 6, 2022

CfP – Autumn 2023_#Cycles

October 11, 2022

Lecture – NECS Online Lecture Series with Miriam De Rosa

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