Features
Tokyo drifters: The negotiation and regulation of generational precarity in ‘Terrace House’ by Faye Mercier
Gentrification by genre? The Berlin rom-com by Kim Wilkins
Narrating the ‘Eternal City’ in ‘La Dolce Vita’ (1960) and ‘La Grande Bellezza’ (2013) by Temenuga Trifonova
Workshop of Potential Scholarship: Manifesto for a parametric videographic criticism by Alan O’Leary
Desktop documentary: From artefact to artist(ic) emotions by Miklós Kiss
Shot and never seen again: Videotapes as waste and merchandise in post-socialist Romania by Jonathan Larcher
Special section: #Solidarity
Sensations and solidarity: Affect, ambience, and politics in digital literary narratives by Shweta Khilnani
Co-creation as im/mediate/d caring and sharing in times of crises: Reflections on collaborative interactive documentary as an agile response to community needs by Sandra Gaudenzi, Jasmin Kermanchi, and Anna Wiehl
Living whose best life? An intersectional feminist interrogation of postfeminist #solidarity in #selfcare by Brianna Wiens and Shana MacDonald
The Interdependence of Care: A Conversation with The Care Collective by Linda Kopitz
Festival Reviews
edited by Marijke de Valck and Antoine Damiens
The 2020 Boston Latino International Film Festival: Continuing the fight for social justice virtually by Michelle Leigh Farrell
Nearby the Festival International du Film Documentaire de Saint-Louis: Rethinking proximity in times of COVID-19 by Laura Feal and Estrella Sendra
The Human Rights Film Network: Festival resilience in the time of Covid-19 by Mariagiulia Grassilli and Alexandra-Maria Colta
One World Human Rights Documentary Film Festival: Limits of (de)centralised management during the pandemic by Petra Jansa
Porn film festivals during pandemic times: San Francisco PornFilmFestival and UNCENSORED in lockdown by Esther Moreno Morillas
Book Reviews
edited by Lavinia Brydon and Victoria Pastor-González
Queering film festival studies by Chris Berry
Uncovering in-betweens: On photochemical practices and handmade cinema by Melinda Blos-Jáni
Defining the high and the low of audiovisual images: Contemporary approaches by Alena Strohmaier
Exhibition Reviews
edited by Miriam de Rosa and Leo Goldsmith
Post-cinematic spectatorship in virtual reality: Negotiating 3DoF and 6DoF in ‘Queerskins: Ark’ by Maud Ceuterick
Turtles all the way down: The Daata Art Fair by Kevin Walker
Surveillance, bias, and healing through re-articulation: An interview with Paula Albuquerque on her recent solo exhibition in Amsterdam by Astrid Korporaal
